{"id":8739,"date":"2020-03-06T23:58:11","date_gmt":"2020-03-06T21:58:11","guid":{"rendered":"http:\/\/ks.iul-nasu.org.ua\/?page_id=8739"},"modified":"2020-07-23T23:39:03","modified_gmt":"2020-07-23T20:39:03","slug":"lingvokulturnyj-kontsept-kyyiv-u-poetychnij-movi-mykoly-zerova","status":"publish","type":"page","link":"http:\/\/ks.iul-nasu.org.ua\/en\/vypusky-zhurnalu\/2019-2\/zbirnyk-kultura-slova-90-2019\/lingvokulturnyj-kontsept-kyyiv-u-poetychnij-movi-mykoly-zerova.html","title":{"rendered":"Lingocultural concept \u201cKyiv\u201d in Mykola Zerov\u02bcs poetic language"},"content":{"rendered":"Culture of the word, 2019, \u2116 90<br \/>\n<strong>UDC<\/strong> 811.161<\/p>\n<p>Alyona PALASH,<br \/>\nDepartment of stylistics, language culture and sociolinguistics at the Institute of the Ukrainian Language of the National Academy of Sciences of Ukraine, 4 Hrushevskyi St., Kyiv 01001, Ukraine<br \/>\n\u0415-mail: palash706@gmail.com<br \/>\nhttps:\/\/orcid.org\/0000-0001-5283-9906<\/p>\n<p><strong>Heading<\/strong>: Word in poetic<br \/>\n<strong>Language<\/strong>: Ukrainian<\/p>\n<p><strong>Abstract:<\/strong> The article deals with the linguocultural analysis of the Kyiv concept in M.\u00a0Zerov\u02bcs linguistic thinking; formation of signs of poetic concept is traced; the reproduction of the description of Kyiv, the princes who ruled in the times of Kyivska Rus\u02bc, the individualization of the language style of M.\u00a0Zerov in expressive and imaginative means; the contribution of neoclassics to the development and enrichment of the Ukrainian language is analyzed. The focus is on the contextual-semantic structure of Kyiv tokens in the language of the writer; the lexical-semantic variants (LSW) are considered: 1) the city; 2) the state; 3) state power; 4)\u00a0residents of the city; given examples and analyzed LSV tokens Kyiv. The peripheral zones of the semantic-conceptual field in which there are microfields (cognitive codes) are investigated; special features of the conceptual sphere of M.\u00a0Zerov; the chronotype of Kyiv, which is defined by real time intervals, is characterized; the juxtaposition of Kyiv in the two temporal planes of the past and the present is due to the fact that the present is conceived by Zerov not as a total renewal of the old, which was widespread in Soviet poetry, but as destruction, and the past \u2013 as the need to preserve the spiritual and moral potential of man and through him \u2013 as a prospect into the future.<\/p>\n<p><strong>Keywords:<\/strong> concept, linguistic picture of the world, poetic concept, idiostyle, microfields, conceptosphere, proper names.<\/p>\n<h5>REFERENCES<\/h5>\n<ol>\n<li>Askoldov,\u00a0S.\u00a0A. (1997). Concept and word. Russian Literature. From the theory of literature to the structure of text. Anthology. P. <em>267 \u2013 279<\/em>. Moscow (in\u00a0\u00a0Rus.)<\/li>\n<li>Dictionary of the Ukrainian Language: in 11 vol. (1970 \u2013 1980). Kyiv: Scientific Thought (in Ukr.)<\/li>\n<li>Fisak,\u00a0I.\u00a0V. (2014). Category \u00abConcept\u00bb in modern scientific discourse. <em>Philological Sciences<\/em>, 17, <em>68<\/em><em> \u2013 <\/em><em>77<\/em> (in Ukr.)<\/li>\n<li>Holubovska,\u00a0I.\u00a0O. (2016). Modern Ukrainian linguoconceptology: state and prospects of development. <em>Actual problems of philology and translation studies<\/em>. Aug. X. Vol. 1. P. <em>151<\/em> <em>\u2013<\/em> <em>159<\/em> (in Ukr.)<\/li>\n<li>Kalashnyk,\u00a0V.\u00a0S. (2001). Figurative-semantic unity as a means and sign in the poetic linguistic picture of the world. <em>Bulletin of Kharkiv National University. Series: Philology.<\/em> \u2116 519. Aug. 32. P. <em>3<\/em><em> \u2013 <\/em><em>11<\/em> (in Ukr.)<\/li>\n<li>Kyiv Neoclassics: Anthology. (2015). Kyiv (in Ukr.)<\/li>\n<li>Litiaha,\u00a0V. (2013). \u00abConcept\u00bb in the paradigm of modern linguistic research. <em>Bulletin of the T. Shevchenko National University of Kyiv<\/em>, 1, <em>48 <\/em><em>\u2013<\/em><em> 50<\/em> (in Ukr.)<\/li>\n<li>Nikonova,\u00a0V.\u00a0H. (2017). Art concepts in the tragedies of Shakespeare: field structure. URL: <a href=\"http:\/\/shakespeare.zp.ua\/texts.item\">http:\/\/shakespeare.zp.ua\/texts.item<\/a> (in Ukr.)<\/li>\n<li>Zerov,\u00a0M. (1990). Works: In 2 v. Vol. 1. Kyiv: Dnipro (in Ukr.)<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ul id=\"iw-contextMenu7313\" class=\"iw-contextMenu iw-created iw-cm-menu\">\n<li class=\"iw-has-submenu iw-mTrigger\" title=\"\">\u0414\u043e\u0431\u0430\u0432\u0438\u0442\u044c \u0432 \u0421\u043b\u043e\u0432\u0430\u0440\u044c\n<div class=\"iw-cm-arrow-right\"><\/div>\n<ul id=\"iw-contextMenu9347\" class=\"iw-contextMenu iw-created iw-cm-menu\">\n<li class=\"iw-mDisable\" title=\"\">\u041d\u043e\u0432\u044b\u0439 \u0441\u043f\u0438\u0441\u043e\u043a \u0441\u043b\u043e\u0432 \u0434\u043b\u044f \u0418\u0442\u0430\u043b\u044c\u044f\u043d\u0441\u043a\u0438\u0439 -&gt; \u0420\u0443\u0441\u0441\u043a\u0438\u0439&#8230;\n<div class=\"iw-mOverlay\"><\/div>\n<\/li>\n<li class=\"t-1\" title=\"\">\u0421\u043e\u0437\u0434\u0430\u0442\u044c \u043d\u043e\u0432\u044b\u0439 \u0441\u043f\u0438\u0441\u043e\u043a \u0441\u043b\u043e\u0432&#8230;<\/li>\n<\/ul>\n<\/li>\n<li class=\"t-1\" title=\"\">\u041a\u043e\u043f\u0438\u0440\u043e\u0432\u0430\u0442\u044c<\/li>\n<\/ul>\n<ul id=\"iw-contextMenu6304\" class=\"iw-contextMenu iw-created iw-cm-menu\">\n<li class=\"iw-has-submenu iw-mTrigger\" title=\"\">\u0414\u043e\u0431\u0430\u0432\u0438\u0442\u044c \u0432 \u0421\u043b\u043e\u0432\u0430\u0440\u044c\n<div class=\"iw-cm-arrow-right\"><\/div>\n<ul id=\"iw-contextMenu5121\" class=\"iw-contextMenu iw-created iw-cm-menu\">\n<li class=\"iw-mDisable\" title=\"\">\u041d\u043e\u0432\u044b\u0439 \u0441\u043f\u0438\u0441\u043e\u043a \u0441\u043b\u043e\u0432 \u0434\u043b\u044f \u0410\u043d\u0433\u043b\u0438\u0439\u0441\u043a\u0438\u0439 -&gt; \u0420\u0443\u0441\u0441\u043a\u0438\u0439&#8230;\n<div class=\"iw-mOverlay\"><\/div>\n<\/li>\n<li class=\"t-2\" title=\"\">\u0421\u043e\u0437\u0434\u0430\u0442\u044c \u043d\u043e\u0432\u044b\u0439 \u0441\u043f\u0438\u0441\u043e\u043a \u0441\u043b\u043e\u0432&#8230;<\/li>\n<\/ul>\n<\/li>\n<li class=\"t-2\" title=\"\">\u041a\u043e\u043f\u0438\u0440\u043e\u0432\u0430\u0442\u044c<\/li>\n<\/ul>","protected":false},"excerpt":{"rendered":"<p>Culture of the word, 2019, \u2116 90 UDC 811.161 Alyona PALASH, Department of stylistics, language culture and sociolinguistics at the Institute of the Ukrainian Language of the National Academy of Sciences of Ukraine, 4 Hrushevskyi St., Kyiv 01001, Ukraine \u0415-mail: palash706@gmail.com https:\/\/orcid.org\/0000-0001-5283-9906 Heading: Word in poetic Language: Ukrainian Abstract: The article deals with the linguocultural [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":8699,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8739","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/8739","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=8739"}],"version-history":[{"count":7,"href":"http:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/8739\/revisions"}],"predecessor-version":[{"id":9001,"href":"http:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/8739\/revisions\/9001"}],"up":[{"embeddable":true,"href":"http:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/8699"}],"wp:attachment":[{"href":"http:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=8739"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}