{"id":9213,"date":"2020-08-14T09:22:05","date_gmt":"2020-08-14T06:22:05","guid":{"rendered":"http:\/\/ks.iul-nasu.org.ua\/?page_id=9213"},"modified":"2020-08-14T10:04:32","modified_gmt":"2020-08-14T07:04:32","slug":"anotatsiya-zvuk-v-indyvidualnij-poetychnij-kartyni-svitu-mykoly-vingranovskogo","status":"publish","type":"page","link":"http:\/\/ks.iul-nasu.org.ua\/en\/vypusky-zhurnalu\/2019-2\/zbirnyk-kultura-slova-90-2019\/anotatsiya-zvuk-v-indyvidualnij-poetychnij-kartyni-svitu-mykoly-vingranovskogo.html","title":{"rendered":"Abstract: Sound in the individual poetic picture of the world of Mykola Vihranovskyi"},"content":{"rendered":"\u2116 90, 2019<\/strong><\/p>\n

Culture of the word, 2019, \u2116 90
\nUDC<\/strong> 811.161.2\u201942<\/p>\n

Iryna IVANENKO,
\nPhD (in Philology), Associate Professor, Department of Ukrainian Studies, Bogomolets National Medical University, 13, T. Shevchenko blvd, Kyiv, 01601, Ukraine
\nE-mail: ivanenko@ukr.net
\nhttps:\/\/orcid.org\/0000-0002-1496-050X<\/p>\n

 <\/p>\n

Heading<\/strong>: Word in poetic
\nLanguage<\/strong>: Ukrainian<\/p>\n

Abstract:<\/strong><\/p>\n

The article analyzes models of metaphorical description of sounds that are relevant to M. Vinhranovsky\u2019s individual poetic picture of the world.<\/p>\n

It is determined that the most productive type of audio metaphorization is related to the verbalization of associative sound-to-nature relationships. Its relevance is determined by the collective (secured by verbal tradition) and individual (author) experience of perceiving objects of national space, such as river, sky, water, forest, grove, trees<\/strong>, as well as related phenomena of nature (wind, storm, thunder, rain<\/strong>). and living things (birds, animals, insects<\/strong>). The persistence of associations in the poetic texts motivated by this experience has been consistently confirmed.<\/p>\n

The collective and individual experience of perception of the phenomena of the nature of rain, thunderstorm, rain, wind, water<\/strong> motivates the active use of \u00absound\u00bb verbs, which metaphorize the various actions and intensity of manifestation of these phenomena.<\/p>\n

The stylistic performance of common linguistic formulas with stylistically neutral verbs – carriers of the archives of \u2018sounds of nature\u2019 is traced.<\/p>\n

It is proved that an important fragment of the sound definition of the world in the national linguistic-poetic practice and in the idyllic style of M. Vinhranovsky as its symbolic fragment is the image of \u201csilence\u201d.<\/p>\n

Updating the \u201czero\u201d manifestation of audio semantics, it creates a semantic opposition to images with the seven \u201csound\u201d. The aesthetic unfolding of the image of silence in various structural metaphorical structures: verbal predicative, verbal object, oxymoronic, tautological is attested.<\/p>\n

Analyzed metaphors confirm that the aesthetized verbalization of sound impressions is one of the dominants of M. Vinhranovsky\u2019s individual poetic phrase, in which the metaphors with the seven \u2018sound\u2019 are indisputable artistic dominants.<\/p>\n

Keywords: <\/strong>M. Vinhranovsky\u2019s idiostyle, sound image, sound metaphor, sound image of nature, image of silence.
\n<\/strong><\/p>\n

 <\/p>\n

REFERENCES<\/h5>\n
    \n
  1. B\u0430hmut,\u00a0I.\u00a0V. (2007). The lexical-semantic field of sound names in modern Ukrainian literary language (composition, structure, paradigm): diss. … cand. philol. sciences. Kyiv (in Ukr.).<\/li>\n
  2. Dictionary of the Ukrainian Language: in 11 vol. (1970 \u2013 1980). Kyiv: Scientific Thought (in Ukr.)<\/li>\n
  3. Parkhomenko,\u00a0I.\u00a0V. (2000). The lexical-semantic field \u201csound\u201d and its functioning in the artistic text: diss. … \u0441and. philol. sciences. Saratov (in Rus.)<\/li>\n
  4. Stav\u0443tska\u00a0\u00a0L.\u00a0O. (2000). The Aesthetics of the Word in Ukrainian Poetry of the 10-30s of the 20th Century. K\u0443\u0456v (in Ukr.)<\/li>\n
  5. Vinhranovskyi,\u00a0M. (1990). I love this woman. Kyiv (in Ukr.)<\/li>\n
  6. Yermolenko,\u00a0S.\u00a0Ya. (2009). Linguistic and aesthetic signs of Ukrainian culture. Kyiv (in Ukr.)<\/li>\n<\/ol>\n
      <\/ul>\n
        <\/ul>","protected":false},"excerpt":{"rendered":"

        \u2116 90, 2019 Culture of the word, 2019, \u2116 90 UDC 811.161.2\u201942 Iryna IVANENKO, PhD (in Philology), Associate Professor, Department of Ukrainian Studies, Bogomolets National Medical University, 13, T. Shevchenko blvd, Kyiv, 01601, Ukraine E-mail: ivanenko@ukr.net https:\/\/orcid.org\/0000-0002-1496-050X   Heading: Word in poetic Language: Ukrainian Abstract: The article analyzes models of metaphorical description of sounds that […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":8699,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-9213","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/9213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=9213"}],"version-history":[{"count":5,"href":"http:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/9213\/revisions"}],"predecessor-version":[{"id":9284,"href":"http:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/9213\/revisions\/9284"}],"up":[{"embeddable":true,"href":"http:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/8699"}],"wp:attachment":[{"href":"http:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=9213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}