{"id":9956,"date":"2021-02-02T10:34:04","date_gmt":"2021-02-02T08:34:04","guid":{"rendered":"http:\/\/ks.iul-nasu.org.ua\/?page_id=9956"},"modified":"2021-02-02T11:54:08","modified_gmt":"2021-02-02T09:54:08","slug":"yak-nauchyt-bajduzhyh-vidchuvaty-yak-rozbudyty-rozum-shho-zasnuv","status":"publish","type":"page","link":"http:\/\/ks.iul-nasu.org.ua\/en\/vypusky-zhurnalu\/2020-2\/zbirnyk-kultura-slova-93-2020\/yak-nauchyt-bajduzhyh-vidchuvaty-yak-rozbudyty-rozum-shho-zasnuv.html","title":{"rendered":"\u00abHOW TO TEACH THE INDIFFERENT TO FEEL? HOW TO AWAKEN THE MIND THAT FOUNDED?\u00bb"},"content":{"rendered":"Svitlana YERMOLENKO,<br \/>\nCorresponding Member of the NAS of Ukraine, Professor, Dr. Sci. (Philol.), Head of the Department of Stylistics, Culture of the Language and Sociolinguistics, Institute of the Ukrainian Language of National Academy of Sciences of Ukraine, 4 Hrushevskyi St., Kyiv 01001, Ukraine<\/p>\n<p>E-mail:svitlana.yermolenko@gmail.com<br \/>\nORCID: https:\/\/orcid.org\/0000-0002-9916-4915<\/p>\n<p>Heading: To the 150-th anniversary of the birthday of Lesia Ukrainka<br \/>\nLanguage: Ukrainian<\/p>\n<p>Abstract<br \/>\nModern receptive poetics encourages the study of verbalized end-to-end motives of Lesia Ukrainka\u2019s work. Embodied in various linguistic forms \u2013 lexical-semantic, phrase-forming, syntactic-rhythmic and intonation, Lesia Ukrainka\u2019s poetic texts testify to the change of the traditional dictionary of Ukrainian poetry, filling it with new associative connections, consistent with the needs of a particular historical era.<br \/>\nEmphasis is placed on the connection of the word with music, not only formal, but also concretized in rhythms, syntactic and intonational variation of verse lines. The considered textual variants of the sonnet \u201cFantasy\u201d convince in dynamism, originality of figurative-associative linguistic thinking of the poetess. The dynamics is traced in the textual representation of concepts \u0444\u0430\u043d\u0442\u0430\u0437\u0456\u044f, \u043c\u0440\u0456\u044f, \u0441\u043e\u043d \u0436\u0438\u0442\u0442\u044f, in the symbolic meaning of the token \u043a\u0430\u043c\u0456\u043d\u044c and \u0432\u043e\u0433\u043e\u043d\u044c, \u043a\u0430\u043c\u0456\u043d\u044c and \u0431\u0430\u0439\u0434\u0443\u0436\u0456\u0441\u0442\u044c.<br \/>\nEmphasis is placed on various forms of contrast expression \u2013 from antonyms, oxymorons, to opposing sentences-judgments. They are representatives of the logical and sensual content of Lesya Ukrainka\u2019s poetic texts. On the example of evaluative significant words to the concept-token WORD as an instrument of poetic creativity, a conclusion about the antithetical thinking of the poetess is made.<br \/>\nThe dynamic perception of semantics is fixed \u0432\u043e\u0433\u043e\u043d\u044c, \u0436\u0430\u0440, \u043f\u043e\u0436\u0435\u0436\u0430, associated with a negative assessment of the destructive element, but in the poetic contexts of the author, these symbols are positively assessed as the ability to be a stimulus to creative inspiration, inflammatory, caring soul of the creator. Poetic phraseology to denote the concept of \u201cindifference\u201d, which acquires the meaning of linguistic and aesthetic sign in the Ukrainian language culture, is recorded.<\/p>\n<p>Keywords: poetry, verbalization of creativity, symbol WORD, linguistic contrast, interaction of thought and feeling, linguistic and aesthetic sign.<\/p>\n<p>REFERENCES<br \/>\n1.\tYermolenko, V. (2018). Flowing ideologies. Ideas and politics in Europe of the XIX\u2013XX centuries. Kyiv: Spirit and Letter (in Ukr.)<br \/>\n2.\tKrymsky, S. B. (2003). Inquiries of philosophical meanings. Kyiv: Parapan (in Ukr.)<br \/>\n3.\tDictionary of the Ukrainian language: in 11 vols. (1970 \u2013 1980). USSR Academy of Sciences. Institute of Linguistics; for order. I. K. Bilodid. Vol. 10. Kyiv: Scientific Opinion (in Ukr.)<br \/>\n4.\tPfizer, I. (1996). Psycholinguistic theory of literature by Alexander Potebnia: Metacritical research. Kyiv (in Ukr.)<br \/>\n5.\tChabanenko, V. A. (2002). Stylistics of expressive means of the Ukrainian language: monograph. Zaporizhzhia: ZSU (in Ukr.)","protected":false},"excerpt":{"rendered":"<p>Svitlana YERMOLENKO, Corresponding Member of the NAS of Ukraine, Professor, Dr. Sci. (Philol.), Head of the Department of Stylistics, Culture of the Language and Sociolinguistics, Institute of the Ukrainian Language of National Academy of Sciences of Ukraine, 4 Hrushevskyi St., Kyiv 01001, Ukraine E-mail:svitlana.yermolenko@gmail.com ORCID: https:\/\/orcid.org\/0000-0002-9916-4915 Heading: To the 150-th anniversary of the birthday of [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":9931,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-doi.php","meta":{"footnotes":""},"class_list":["post-9956","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/9956","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=9956"}],"version-history":[{"count":6,"href":"http:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/9956\/revisions"}],"predecessor-version":[{"id":10036,"href":"http:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/9956\/revisions\/10036"}],"up":[{"embeddable":true,"href":"http:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/9931"}],"wp:attachment":[{"href":"http:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=9956"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}