{"id":10450,"date":"2021-11-18T17:47:19","date_gmt":"2021-11-18T15:47:19","guid":{"rendered":"https:\/\/ks.iul-nasu.org.ua\/?page_id=10450"},"modified":"2021-12-14T11:19:07","modified_gmt":"2021-12-14T09:19:07","slug":"movna-estetyka-obrazu-misto-u-poetychnyh-tekstah-b-i-antonycha","status":"publish","type":"page","link":"https:\/\/ks.iul-nasu.org.ua\/en\/vypusky-zhurnalu\/2021-2\/zbirnyk-kultura-slova-94-2021\/movna-estetyka-obrazu-misto-u-poetychnyh-tekstah-b-i-antonycha.html","title":{"rendered":"LANGUAGE AESTHETICS OF CONCEPT \u201cCITY\u201d IN POETIC TEXTS BY B.-I.\u00a0ANTONYCH"},"content":{"rendered":"Olha SENKOVYCH<\/strong>,
\nPhD in Philology, Associate professor of Foreign languages Department, National University \u00abLviv Polytechnic\u00bb
\nE-mail: olyak4me@ukr.net
\nORCID: https:\/\/orcid.org\/0000-0003-3895-1082<\/p>\n

Heading: <\/strong>The city in Ukrainian linguoculture: the echo of generations
\nLanguage:<\/strong>\u00a0Ukrainian<\/p>\n

Abstract<\/strong>
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>The theme of the city is not the main one, but it is important for B.-I. Antonych\u2019s lyrics. Author’s reflections on the theme of the city are important fragment of the individual artistic picture of the world. In view of this, the article offers an analysis of the means of linguistic and aesthetic representation of the concept of city in poetic texts by B.-I.\u00a0Antonych. The specifics of the individual-author’s picture of the world in this thematic segment are demonstrated.
\nIt is emphasized that B.-I. Antonych\u2019s individual style has already been sufficiently studied from the point of literary criticism. Instead, linguistic research on the peculiarities of author’s artistic language should be intensified.
\nIt was found that in B.-I.\u00a0Antonych’s poetic interpretation concept of the city appears simultaneously in several dimensions: both as a geographical object with a characteristic set of realities, and as an industrial and socio-cultural environment. In these conditions a new socio-psychological type of personality is formed.<\/p>\n

The article identifies productive lexical and semantic models of city description. It has been established that the contextual uses of the nomination city<\/strong> and its poetic concretizers are mostly related to the direct lexical meaning “large settlement, administrative, industrial, trade and cultural center” recorded in common dictionaries. At the same time as a carrier of cultural and aesthetic information, the city nomination is also often reconsidered, forming new lexical and associative connections due to the individual experience of the author, his personal creative and aesthetic preferences.
\nIt was revealed that epithet phrases have text-forming significance in the creation of the linguistic image of the city. Around the concept of the city in the poetry of B.-I.\u00a0Antonych grouped definitions that testify to his anthropomorphization, natural morphization, and also verbalize different types of evaluation – neutral, positive and negative.
\nThe development of the image of the city is often based on its logical and associative connections with the realities that detail its space, its social and cultural infrastructure \u2013 square, square, street, lane, park, square, town hall, lantern, limousine<\/strong>. In the structure of poetic expression, they realize the direct lexical meaning recorded in common dictionaries, and sometimes they are also expressions of occasional individual-author associations.
\nA separate aspect of the author’s perception and display of the city is its opposition to the world nature. Nature in the poetic picture of B.-I.\u00a0Antonych\u2019s world is presented as a harmonious, living space, while the city has an unnatural, standardized, schematic nature.
\nIn general, the image in the poetry by B.-I.\u00a0Antonych reflects the objective structure of the city, its social, architectural and cultural specifics.
\nThe perspective of the proposed study is the possibility of drawing parallels between the poetry by B.-I. Antonych and the lyrics of European modernist poets, in particular P. Verharn and R.-M. Rilke.<\/p>\n

Keywords<\/strong>: language style B.-I.\u00a0Antonych, poetic text, linguistic aesthetics, image of the city, metaphorical model.<\/p>\n

REFERENCES<\/strong><\/p>\n

    \n
  1. Balli, S. (1961). French stylistics. Moscow (in\u00a0Rus.).<\/li>\n
  2. Dictionary of the Ukrainian language in 11 volumes. (1970 \u2013 1980). Kyiv. (in Ukr.)<\/li>\n
  3. Ilnytsky, M. (1991). Bohdan-Ihor Antonych: essay on life and work. Kyiv. 207\u00a0p. (in\u00a0\u00a0Ukr.).<\/li>\n
  4. Halyna \u041c. Siuta, Iryna M. Ivanenko, Zoriana R. Dubravska, Liudmyla M. Mialkovska, Olha R. Senkovych. Dynamics of stylistic norms in the artistic discourse of the XX century. Laplage em Revista. Vol.\u00a07. n.\u00a0Extra A <\/em> Jan.\u00a0\u2013 Apr. <\/em>(date of application: 21.05.2021)<\/li>\n
  5. Ivanov, V.\u00a0V. (1986). To the semiotic study of the cultural history of a big city. Works on sign systems. Tartu. Issue. 19. \u0420.\u00a020 \u2013 38. (in\u00a0\u00a0Rus.).<\/li>\n
  6. Kravets, L.\u00a0V. (2012). Dynamics of metaphor in Ukrainian poetry of XX century. Kyiv. (in\u00a0\u00a0Ukr.)<\/li>\n
  7. Myalkovska, L.M. (2001). Stylistics of Valerian Pidmohylny’s fiction: lexical-semantic fields, paths, stylistic syntax: Abstract. PhD. Kyiv. (in\u00a0\u00a0Ukr.)<\/li>\n
  8. Novikova, M.O. (2003). Mythoworld of Antonych. Antonych B.-I. Selected. Kyiv. \u0420.\u00a05\u00a0\u2013 18. (in\u00a0\u00a0Ukr.)<\/li>\n
  9. Starova, O.O. The image of the city in the lyrics of B.-I. Antonych: eschatological motives. Current problems of Slavic philology. Series: Linguistics and Literary Studies. Access mode: http:\/\/litmisto.org.ua\/?cat=97<\/a> (in\u00a0Rus.).<\/li>\n
  10. Stavytska, L.O. (2000). Aesthetics of the word in Ukrainian poetry 10 – 30 years of the twentieth century. Kyiv. (in\u00a0\u00a0Ukr.)<\/li>\n
  11. Zhulynsky, M. (1998). “Who needs your words?”. Dyvoslovo. 1998. \u2116 11. S. 56\u201361. (in\u00a0\u00a0Ukr.).<\/li>\n
  12. Yermolenko, S.Ya. (2009). Linguistic and aesthetic signs of Ukrainian culture. Kyiv. (in Ukr.).<\/li>\n
  13. Siuta, H.M. (2007). Intertextuality. Ukrainian language. Encyclopedia. Kyiv, 2007. (in\u00a0\u00a0Ukr.).<\/li>\n
  14. Siuta, G.M. (2017). Quoted thesaurus of the Ukrainian poetic language of the XX century. Kyiv. (in Ukr.)<\/li>\n
  15. Shcheblykina, T.A. (2000). Lexical and semantic field of “space” in the Ukrainian language. Linguistic research. Issue 4. Kharkiv, 2000. \u0420.\u00a061 \u2013 66. (in Ukr.)<\/li>\n<\/ol>\n

    LEGENDS<\/p>\n

    Antonych B. -I. Great harmony. Kyiv, 2003. 350 p.<\/p>\n

    Antonych B.-I. Selected. Kyiv, 2003. 376 p.","protected":false},"excerpt":{"rendered":"

    Olha SENKOVYCH, PhD in Philology, Associate professor of Foreign languages Department, National University \u00abLviv Polytechnic\u00bb E-mail: olyak4me@ukr.net ORCID: https:\/\/orcid.org\/0000-0003-3895-1082 Heading: The city in Ukrainian linguoculture: the echo of generations Language:\u00a0Ukrainian Abstract \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The theme of the city is not the main one, but it is important for B.-I. Antonych\u2019s lyrics. Author’s reflections on the theme […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":10419,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-doi.php","meta":{"footnotes":""},"class_list":["post-10450","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/10450","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=10450"}],"version-history":[{"count":16,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/10450\/revisions"}],"predecessor-version":[{"id":10629,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/10450\/revisions\/10629"}],"up":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/10419"}],"wp:attachment":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=10450"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}