{"id":10495,"date":"2021-11-23T11:57:44","date_gmt":"2021-11-23T09:57:44","guid":{"rendered":"https:\/\/ks.iul-nasu.org.ua\/?page_id=10495"},"modified":"2021-12-09T14:49:15","modified_gmt":"2021-12-09T12:49:15","slug":"mysleobraz-misto-v-hudozhno-personazhnomu-dyskursi-valer-yana-pidmogylnogo","status":"publish","type":"page","link":"https:\/\/ks.iul-nasu.org.ua\/en\/vypusky-zhurnalu\/2021-2\/zbirnyk-kultura-slova-94-2021\/mysleobraz-misto-v-hudozhno-personazhnomu-dyskursi-valer-yana-pidmogylnogo.html","title":{"rendered":"MENTAL IMAGE \u00abCITY\u00bb IN THE ARTISTIC AND CHARACTER DISCOURSE OF V. PIDMOHYLNYI"},"content":{"rendered":"<strong>Nataliia HOLIKOVA<\/strong>,<br \/>\nDoctor of Philology, Prof., Oles Honchar Dniprovsk National University;<br \/>\n72 Gagarin Ave., Dnipro 49010, Ukraine;<br \/>\n\u0415-mail: <a href=\"mailto:nataliaholikova62@gmail.com\">nataliaholikova62@gmail.com<\/a><br \/>\nORCID: https:\/\/orcid.org\/0000-0003-4157-1276<\/p>\n<p><strong>Heading: <\/strong>The city in Ukrainian linguoculture: the echo of generations<br \/>\n<strong>Language:<\/strong>\u00a0Ukrainian<\/p>\n<p><strong>Abstract<\/strong><br \/>\n<em>\u00a0\u00a0\u00a0\u00a0The article analyzes the expressing-depicting means of verbalization of the mission <\/em><em>\u00ab<\/em><em>City<\/em><em>\u00bb<\/em><em> in the same name V. Pidmohylnyi&#8217;s novel, <\/em><em>based on the logical-semantic opposition<\/em> <em>\u00ab<\/em><em>City<\/em><em>\u00bb<\/em> <em>\u2013<\/em> <em>\u00ab<\/em><em>Village<\/em><em>\u00bb<\/em><em>. It is noted that the study of the verbalized constants of the specified contrast is an important issue for integrative linguistic history, which interacts with such scientific industries as linguistic culture, cognitive linguistics, sociolinguistics, communicative linguistics etc. The concept of a character discourse is actualized: the most important sign of the novel <\/em><em>\u00ab<\/em><em>The city<\/em><em>\u00bb<\/em><em> V.\u00a0Pidmohylnyi&#8217;s combination of the language of the author and the language of the main character of the work <\/em><em>\u2013<\/em><em> Stepan Radchenko. It is proved that the discursive zone of the character is the most influential in the formation of the analyzed mental image. The semantic-stylistic features of the <\/em><em>\u00ab<\/em><em>City<\/em><em>\u00bb<\/em><em> are traced, which concentrates artistic narrative of a proactive piece and appears a dominant component of the cognitive-field structure of the relevant concept. Its lexical-thematic and semantic and associative lines, which provide content to the <\/em><em>\u0441onnectivity<\/em> <em>\u00a0and integrity of the mental image in the vertical context of the novel: <\/em><em>\u00ab<\/em><em>City<\/em><em>\u00bb<\/em><em> \u2194 <\/em><em>\u00ab<\/em><em>Village<\/em><em>\u00bb<\/em><em>, <\/em><em>\u00ab<\/em><em>City<\/em><em>\u00bb<\/em><em> \u2194 <\/em><em>\u00ab<\/em><em>Nature<\/em><em>\u00bb<\/em><em>, <\/em><em>\u00ab<\/em><em>Closed space<\/em><em>\u00bb <\/em><em>\u2194 <\/em><em>\u00ab<\/em><em>Open Space<\/em><em>\u00bb<\/em><em>,<\/em><em> \u00ab<\/em><em>City<\/em><em>\u00bb <\/em><em>\u2192 <\/em><em>\u00ab<\/em><em>Art<\/em><em>\u00bb <\/em><em>\u2192 <\/em><em>\u00ab<\/em><em>Literature\u00bb,\u00a0 <\/em><em>\u00ab<\/em><em>City<\/em><em>\u00bb <\/em><em>\u2190 <\/em><em>\u00ab<\/em><em>Love<\/em><em>\u00bb <\/em><em>\u2192 <\/em><em>\u00ab<\/em><em>Nature<\/em><em>\u00bb <\/em><em>etc. The conclusion is emphasized that V.<\/em><em>\u00a0<\/em><em>Pidmohylnyi one of the first Ukrainian writers of the beginning of the twentieth century. Conceptualized the city as a decisive factor in civilization-historical development of society, <\/em><em>\u00ab<\/em><em>immersing<\/em><em>\u00bb<\/em><em> a person from the village to urbanized space <\/em><em>\u2013<\/em><em> anthropogenic landscape, <\/em><em>\u00ab<\/em><em>second nature<\/em><em>\u00bb<\/em><em>. <\/em><\/p>\n<p><em>\u00a0\u00a0\u00a0<strong>Key words:<\/strong> character discourse, <\/em><em>concept, <\/em><em>semantic and associative field, linguistic-aesthetic sign, stylist<\/em><em>e<\/em><em>ma.<\/em><\/p>\n<p><strong>REFERENCES<\/strong><\/p>\n<ol>\n<li>Bekhta, I. (2019). Thought in thought as an endophase form of speech in the artistic projection of character discourse. <em>Linguistics<\/em>. \u2116 1 (40), 73 \u2013 84 (in Ukr.).<\/li>\n<li>Kolehaieva, I.M. (2010). The image of character discourse as a genre-determined manifestation of communicative secondaryness in artistic text. <em>Bulletin of KhNU named after V.N.<\/em><em>\u00a0<\/em><em>Karazin<\/em>. Kharkiv, Vyp. 61, 102 \u2013 107 (in\u00a0Ukr.).<\/li>\n<li>Nehodiaieva, S.A. (2010). Urban chronotope in the works of A.\u00a0Dnistrovyi. <em>\u00a0<\/em><em>Actual problems of Slavic philology<\/em>. Berdiansk, Vyp. XXIII, Ch. 1, 339 \u2013 347 (in\u00a0Ukr.).<\/li>\n<li>Pidmohylnyi, V. (1954). Misto. New-York (in Ukr.).<\/li>\n<\/ol>\n<p>LEGEND<\/p>\n<p>\u041c\u0456\u0441\u0442\u043e. \u2013 Pidmohylnyi, V.P. (1989). Misto\u00a0: Roman, opovidannia \/ Uporiad. R.\u00a0Movchan ta V. Shevchuka; Vst. sl. V. Shevchuka; Prymit. R. Movchan [City]. Kyiv : Molod, 448 (in Ukr.).<\/p>\n<p>\u0421\u0423\u041c. \u2013 Dictionary of the Ukrainian language (11 vol.). (1970\u2013 1980). Kyiv (in Ukr.).","protected":false},"excerpt":{"rendered":"<p>Nataliia HOLIKOVA, Doctor of Philology, Prof., Oles Honchar Dniprovsk National University; 72 Gagarin Ave., Dnipro 49010, Ukraine; \u0415-mail: nataliaholikova62@gmail.com ORCID: https:\/\/orcid.org\/0000-0003-4157-1276 Heading: The city in Ukrainian linguoculture: the echo of generations Language:\u00a0Ukrainian Abstract \u00a0\u00a0\u00a0\u00a0The article analyzes the expressing-depicting means of verbalization of the mission \u00abCity\u00bb in the same name V. Pidmohylnyi&#8217;s novel, based on the [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":10419,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-doi.php","meta":[],"_links":{"self":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/10495"}],"collection":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=10495"}],"version-history":[{"count":8,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/10495\/revisions"}],"predecessor-version":[{"id":10588,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/10495\/revisions\/10588"}],"up":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/10419"}],"wp:attachment":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=10495"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}