{"id":11368,"date":"2023-03-20T13:29:04","date_gmt":"2023-03-20T11:29:04","guid":{"rendered":"https:\/\/ks.iul-nasu.org.ua\/?page_id=11368"},"modified":"2023-03-20T13:33:52","modified_gmt":"2023-03-20T11:33:52","slug":"slovo-gromom-pravdy-voroga-razyt-nazvy-osib-pov-yazanyh-iz-vijskovoyu-spravoyu-u-movotvorchosti-dmytra-bilousa","status":"publish","type":"page","link":"https:\/\/ks.iul-nasu.org.ua\/en\/vypusky-zhurnalu\/2022-2\/zbirnyk-kultura-slova-97-2022\/slovo-gromom-pravdy-voroga-razyt-nazvy-osib-pov-yazanyh-iz-vijskovoyu-spravoyu-u-movotvorchosti-dmytra-bilousa.html","title":{"rendered":"\u201cSLOVO\u2026 HROMOM PRAVDY VOROHA RAZYT\u201d (NAMES OF PERSONS CONNECTED WITH MILITARY AFFAIRS, IN DMYTRO BILOUSE\u2019S LANGUAGE)"},"content":{"rendered":"<strong>Viktoria SUKHENKO<\/strong>,<br \/>\nPhD in Philology, Associate Professor at the Department of Ukrainian studies and language preparation of foreign citizens, Simon Kuznets Kharkiv National University of Economics;<br \/>\n322\/165, Louis Pasteur St., Kharkiv, 61172;<br \/>\ne-mail: viktoriya.suhenko@hneu.net<br \/>\nORCID: https:\/\/orcid.org\/0000-0002-8775-6999<\/p>\n<p><strong>Heading:<\/strong> A WORD IN AN ARTWORK<br \/>\n<strong>Language:<\/strong> Ukrainian<\/p>\n<p><strong>Abstract<\/strong><br \/>\nThe article is devoted to the analysis of voyenisms in the poetic works of Dmytro Bilous \u2013 the popularizer of the native word. The thematic groups (names of persons to denote military rank and names of persons by military specialization) are singled out, which contributes to the disclosure of the specifics of voyenisms in individual, situational use, their use as a means of artistic depiction of reality. The thematic group of names of persons of the enemy camp and the author\u2019s attitude to the perpetrators of the war are characterized.<br \/>\nIt is proved that voyenisms in the poetic works of D. Bilous represent the social picture of the world, act as social markers of the corresponding era, are a means of reflecting the linguistic mentality of representatives of a certain society. It is noted that the author saturates his poetic works with a significant number of voyenisms, as he himself survived the Holodomor, the front, the war.<br \/>\nThe definition of \u201cvoyenisms\u201d is formulated \u2013 the names of people associated with military affairs and hostilities. These nominative units serve as identifiers of the person. The originality of the poetic style of Dmytro Bilous actualizes the importance of studying his work in the linguistic aspect.<br \/>\n<strong>Key words<\/strong>: voyenisms, names of persons, thematic groups, war, poetic works, Dmytro Bilous, idiostyle, picture of the world.<\/p>\n<p><strong>REFERENCES<\/strong><br \/>\nBilous, D. (2004). Priceless treasure. Kyiv: \u201cUkr. entsykl.\u201d im. M.P. Bazhana (in Ukr.).<br \/>\nBilous, D.H. (1980). Favorites. Kyiv: Dnipro (in Ukr.).<br \/>\nBilous, D.H. (1990). Favorites. Kyiv: Dnipro (in Ukr.).<br \/>\nBilous, D.H. (1994). Viburnum miracle. Periwinkle magic. Kyiv: Veselka (in Ukr.).<br \/>\nBilous, D. (1995). From viburnum miracle and periwinkle magic. <em>Slovo i chas, 4,<\/em> 33\u201336 (in Ukr.).<br \/>\nBilous, D.H. (1999). Isn\u2019t Romain a relative of Rome? Kyiv: Ukr. pysmennyk (in Ukr.).<br \/>\nBilous, D.H. (1971). Eat bread and salt, but cut the truth. Kyiv: Dnipro (in Ukr.).<br \/>\nHrypas, N.Ya. (2004). Voyenisms in poetic works of Pavlo Arsenovych Hrabovsky. <em>Naukovi pratsi Kamianets-Podilskoho derzhavnoho universytetu,<\/em> Vol. 3, In 3 vols, Vol. 2, 21\u201326 (in Ukr.).<br \/>\nHrinchenko, B. (Ed.). (1907\u20131909). Dictionary of the Ukrainian language: in 4 vol. Kyiv (in Ukr.).","protected":false},"excerpt":{"rendered":"<p>Viktoria SUKHENKO, PhD in Philology, Associate Professor at the Department of Ukrainian studies and language preparation of foreign citizens, Simon Kuznets Kharkiv National University of Economics; 322\/165, Louis Pasteur St., Kharkiv, 61172; e-mail: viktoriya.suhenko@hneu.net ORCID: https:\/\/orcid.org\/0000-0002-8775-6999 Heading: A WORD IN AN ARTWORK Language: Ukrainian Abstract The article is devoted to the analysis of voyenisms in [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":11174,"menu_order":12,"comment_status":"closed","ping_status":"closed","template":"page-doi.php","meta":{"footnotes":""},"class_list":["post-11368","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/11368","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=11368"}],"version-history":[{"count":2,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/11368\/revisions"}],"predecessor-version":[{"id":11370,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/11368\/revisions\/11370"}],"up":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/11174"}],"wp:attachment":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=11368"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}