{"id":11953,"date":"2023-06-30T13:45:40","date_gmt":"2023-06-30T10:45:40","guid":{"rendered":"https:\/\/ks.iul-nasu.org.ua\/?page_id=11953"},"modified":"2023-09-12T11:03:49","modified_gmt":"2023-09-12T08:03:49","slug":"movno-hudozhnya-organizatsiya-rubayi-dmytra-pavlychka-lingvostylistychnyj-vymir","status":"publish","type":"page","link":"https:\/\/ks.iul-nasu.org.ua\/en\/vypusky-zhurnalu\/2023-2\/zbirnyk-kultura-slova-98-2023\/movno-hudozhnya-organizatsiya-rubayi-dmytra-pavlychka-lingvostylistychnyj-vymir.html","title":{"rendered":"LANGUAGE AND ARTISTIC ORGANIZATION OF RUBAI BY DMYTRO PAVLYCHKO: THE LINGUISTIC AND STYLISTIC DIMENSION"},"content":{"rendered":"Olesia TIELIEZHKINA,<\/strong>
\nDoctor of Philologicy, Professor, Professor of the Department of Psychology, Pedagogy and Language Training,
\nO.M. Beketov National University of Urban Economy in Kharkiv;
\n17, Marshala Bazhanova St, Kharkiv, 61002;
\n\u0435-mail: o_tele_o@ukr.net
\nORCID: https:\/\/orcid.org\/0000-0002-2953-7368<\/p>\n

Heading:<\/strong> \u201cBELIEVE IN THE SPIRIT THAT TRANSFORMS INTO THE SPIRIT, LIVES SECURELY IN THOUGHT, IN THE FLESH OF THE WORD\u201d<\/em> (THE LANGUAGE OF ARTISTIC CREATIVITY OF DMYTRO PAVLYCHKO)
\nLanguage:<\/strong> Ukrainian<\/p>\n

Abstract<\/strong>
\nThe paper deals with the analysis of stylestemes of various origin which are means of eliciting philosophical senses in rubai by Dmytro Pavlychko. The author concludes that figurative and expressive means of phonic (equiphony, metaphony) and lexical-grammatical nature (antithesis, gradation, parallelism, antanaklasis, doubling, anadiplosis, annomination, polyptoton, redif and chiasm) act as an organic component of the studied poetic texts.
\nAntithesis and gradation dominate among the stylistic devices implemented in the linguistic and artistic space of Dmytro Pavlychko\u2019s rubai. And it is through the juxtaposition of the meanings of lexical units and their accumulation that the poet reveals his vision of eternal philosophical questions: the essence of life, the relationship between life and death, the struggle between light and darkness, relationships with a lover and a friend, a clean environment and a soul untainted by sin.
\nThe rubai and gradation are functionally loaded in the composition, realizing the stylistic potential in various shades of the poetic miniature.
\nAntithesis plays an important role in the compositional organization of the artist’s work. Binary oppositions are represented in all structural components of a miniature verse work.
\nAddition figures based on lexical-grammatical repetition are not distinguished by their activity in the artist\u2019s cut.
\nAn integral compositional and semantic component of the context created in rubai is another figure of stylistic syntax \u2013 chiasm.
\nTo reproduce his philosophical reflections, D. Pavlychko also resorts to parallelism, with the help of which, through the comparison of the world of nature and social reality, he reveals the psycho-emotional state of the lyrical hero.
\nThese stylistic figures contribute to the most expressive structural-compositional and linguistic-artistic organization of the poetic vastness of the poet\u2019s rubai.
\nKey words:<\/strong> poetic text, rubai, stylesteme, stylistic figure, figurative and expressive means, structural and compositional organization, linguistic and artistic organization.<\/p>\n

REFERENCES<\/strong>
\nDanyliuk, N. (2017). The language picture of the world in the poetic texts of Lesia Ukrainka\u2019s collection \u201cOn the Wings of Songs\u201d. Ukrainian linguistics, 1(47),<\/em> 63\u201378 (in Ukr.).
\nHermann-Ruess, A. (2014). Emotionale Rhetorik: Mit Worten begeistern, beeindrucken, ber\u00fchren. Offenbach: GABAL Verlag GmbH (in Ger.).
\nKosmeda, \u0422. (2016). Stepan Rudanskiy, the master of chants: the development of playful stylistics of the Ukrainian language. Studia Ukrainica Posnaniensia, IV,<\/em> 55\u201367 (in Ukr.).
\nKovaliv, Yu. (2007). Literary encyclopedia: In 2 volumes. Vol. 2. Kyiv: VTs \u00abAkademiia\u00bb (in Ukr.).
\nKravets, L. (2018). Conceptual metaphor in the language of Ukrainian poetry of the 20th century. Slavic languages: a collection of scientific works, 1(13),<\/em> 136\u2013147 (in Ukr.).
\nMalenko, O.O. (2010). Linguistic-aesthetic interpretation of existence in Ukrainian poetic language (From folklore to postmodernism). Kharkiv (in Ukr.).
\nMejer, R.M. (2013). Deutsche Stilistik. Paderborn: Salzwasser Verlag (in Ger.).
\nMoisiienko, A.K. (2018). The phonic component in the expressive system of the poetic text. Linguistics, 4,<\/em> 3\u20139 (in Ukr.).
\nNykanorova, O. (1996). Poetry is an eternal height. Kyiv (in Ukr.)
\nOlishchuk, R.L., Makar, I.S. (2011). Constructions with repetitions in the language of Long\u2019s novel \u201cDaphnis and Chloe\u201d. Studia linguistica, 5, 2,<\/em> 49\u201356 (in Ukr.)
\nPavlychko, D. (2010). Writings. Vol. 2: Poetry 1989\u20132000 (Pp. 276\u2013328). Kyiv: Solomia Pavlychko Publishing House \u201cOsnovy\u201d (in Ukr.).
\nRabchuk, \u0406. (2020). Appositive syntaxeme as an expression of tropical meanings in belles-letters text. Studia Ukrainica Posnaniensia, VII\u0406\/2,<\/em> 57\u201369 (in Ukr.).
\nVovk, A.V. (2020). Expressive syntax in the system of the writer\u2019s idiostyle (Based on the material of \u201cDiaries\u201d by O. Honchar): diss. … cand. philol. of science (in Ukr.).
\nYermolenko, S.Ya. (2020). Linguistics of Lesia Ukrainka\u2019s poetic texts. Scientific Bulletin of the International Humanitarian University. Series: Philology, 45, 1,<\/em> 23\u201325 (in Ukr.).","protected":false},"excerpt":{"rendered":"

Olesia TIELIEZHKINA, Doctor of Philologicy, Professor, Professor of the Department of Psychology, Pedagogy and Language Training, O.M. Beketov National University of Urban Economy in Kharkiv; 17, Marshala Bazhanova St, Kharkiv, 61002; \u0435-mail: o_tele_o@ukr.net ORCID: https:\/\/orcid.org\/0000-0002-2953-7368 Heading: \u201cBELIEVE IN THE SPIRIT THAT TRANSFORMS INTO THE SPIRIT, LIVES SECURELY IN THOUGHT, IN THE FLESH OF THE WORD\u201d […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":11940,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"page-doi.php","meta":{"footnotes":""},"class_list":["post-11953","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/11953","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=11953"}],"version-history":[{"count":3,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/11953\/revisions"}],"predecessor-version":[{"id":12033,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/11953\/revisions\/12033"}],"up":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/11940"}],"wp:attachment":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=11953"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}