{"id":12215,"date":"2024-06-13T16:48:04","date_gmt":"2024-06-13T13:48:04","guid":{"rendered":"https:\/\/ks.iul-nasu.org.ua\/?page_id=12215"},"modified":"2024-06-13T17:04:42","modified_gmt":"2024-06-13T14:04:42","slug":"sotsiolingvalni-proyektsiyi-dokumentalnogo-kinoportreta-pysmennyka-na-materiali-miniserialu-olga-kobylyanska-valse-brillante","status":"publish","type":"page","link":"https:\/\/ks.iul-nasu.org.ua\/en\/vypusky-zhurnalu\/2023-2\/zbirnyk-kultura-slova-99-2023\/sotsiolingvalni-proyektsiyi-dokumentalnogo-kinoportreta-pysmennyka-na-materiali-miniserialu-olga-kobylyanska-valse-brillante.html","title":{"rendered":"SOCIOLINGUISTIC PROJECTIONS OF A DOCUMENTARY CINEMATIC PORTRAIT OF A WRITER (BASED ON THE MATERIAL OF THE MINI-SERIES \u201cOLHA KOBYLIANSKA. VALSE BRILLANTE\u201d)"},"content":{"rendered":" <\/p>\n

Anhelina GANZHA,<\/strong>
\nPhD in Philology, Senior researcher of the Department of stylistics, language culture and sociolinguistics,
\nInstitute of the Ukrainian Language of National Academy of Sciences of Ukraine;
\n4, Mykhaila Hrushevskoho St., Kyiv 01001, Ukraine;
\ne-mail: ganzhalina@ukr.net
\nORCID: https:\/\/orcid.org\/0000-0003-2938-5306<\/p>\n

Heading<\/strong>: LANGUAGE WORLD OF OLHA KOBYLIANSKA: MODERN RECEPTION
\nLanguage<\/strong>: Ukrainian<\/p>\n

Abstract<\/strong>
\nIntegrative linguistic stylistics provides reliable tools for the study of film text.
\nThe term linguistic portrait<\/em> already has its own tradition of multidimensional interpretation in linguistics: from a scientific metaphor to specific definitions with a hierarchy of characteristic features. The features of a linguistic portrait of a personality<\/em> are fully projected onto the phenomenon of a film portrait of a personality, which is the focus of the creative potential of a filmmaker who is the author of a biographical documentary media product. We propose to understand a film portrait as a genre of documentary film that involves the depiction of a real person in his or her natural environment by means of documentary cinema.
\nThe peculiarity of biographical documentaries about writers is that they focus on the representation of the figures of direct participants in the linguistic and literary process of all periods. Thus, the complementary characteristics of a film portrait can be the works of the artist quoted in the audio or visual sequences, as well as the artistic and stylistic features of these texts, which the filmmaker uses as interpretive material to expand the characteristics of the film portrait.
\nThe film portrait of Olha Kobylianska in the miniseries \u201cOlha Kobylianska. Valse Brillante\u201d, distinct sociolinguistic projections are revealed. First of all, the formation of the writer\u02bcs national and linguistic worldview was influenced by her origin and family upbringing, which is revealed in the film text through the presenter\u02bcs story about the writer\u02bcs parents, her childhood, and audio and video illustrations of the \u201ccontext of the era\u201d. The dominant personal dimension in the film is inextricably linked to the reflection of the search for creative identity, especially through the linguistic dimension. In her autobiographies, Kobylianska emphasized that \u201cUkrainian was the language of choice at home\u201d, but in her youth, German was the language of intellectual pursuits and socializing. That is why, naturally, it became the first language of creativity for the writer, but it was only an episode in her artistic biography.
\nKey words<\/strong>: integrative linguistics, documentary film portrait, linguistic and national outlook, sociolinguistic context, Olha Kobylianska.<\/p>\n

REFERENCES<\/strong>
\nBlokhyn, D. (2019). Vplyv nimetskoi kultury na tvorchist Olhy Kobylianskoi. Volyn filolohichna: tekst i kontekst, 26,<\/em> 5\u201325 (in Ukr.).
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\nKobylianska, O. (1982) Slova zvorushenoho sertsia: Shchodennyky; Avtobiohrafii; Lysty; Statti ta spohady. Kyiv: Dnipro (in Ukr.).
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\nSiuta, H. (2015). Movni portrety politykiv i zhurnalistiv. Culture of the Word, 82,<\/em> 139 (in Ukr.).
\nYermolenko, S. (Ed.) (2001). Ukrainska mova: Korotkyi tlumachnyi slovnyk linhvistychnykh terminiv. Kyiv (in Ukr.).","protected":false},"excerpt":{"rendered":"

  Anhelina GANZHA, PhD in Philology, Senior researcher of the Department of stylistics, language culture and sociolinguistics, Institute of the Ukrainian Language of National Academy of Sciences of Ukraine; 4, Mykhaila Hrushevskoho St., Kyiv 01001, Ukraine; e-mail: ganzhalina@ukr.net ORCID: https:\/\/orcid.org\/0000-0003-2938-5306 Heading: LANGUAGE WORLD OF OLHA KOBYLIANSKA: MODERN RECEPTION Language: Ukrainian Abstract Integrative linguistic stylistics provides […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":12183,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"page-doi.php","meta":[],"_links":{"self":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12215"}],"collection":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=12215"}],"version-history":[{"count":3,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12215\/revisions"}],"predecessor-version":[{"id":12218,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12215\/revisions\/12218"}],"up":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12183"}],"wp:attachment":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=12215"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}