{"id":12358,"date":"2025-02-05T13:54:12","date_gmt":"2025-02-05T11:54:12","guid":{"rendered":"https:\/\/ks.iul-nasu.org.ua\/?page_id=12358"},"modified":"2026-04-06T12:29:51","modified_gmt":"2026-04-06T09:29:51","slug":"zbirnyk-kultura-slova-101-2024","status":"publish","type":"page","link":"https:\/\/ks.iul-nasu.org.ua\/en\/vypusky-zhurnalu\/2024-2\/zbirnyk-kultura-slova-101-2024.html","title":{"rendered":"Journal &#8220;Culture Of The Word&#8221; &#8211; \u2116 101, 2024"},"content":{"rendered":"<h2>CONTENTS<\/h2>\n<h4>LANGUAGE WORLD OF OLEKSANDR DOVZHENKO\u2019S: MODERN RECEPTION<\/h4>\n<p>The language of Oleksandr Dovzhenko\u2019s cinematic novel \u201cUkraine on fire\u201d: Style integration<br \/>\n<em>S. Yermolenko<\/em><br \/>\nCulture of the Word, 2024, 2 (101): 7\u201320 \u2022 Language: Ukrainian \u2022 <a href=\"https:\/\/ks.iul-nasu.org.ua\/vypusky-zhurnalu\/2024-2\/zbirnyk-kultura-slova-101-2024\/12363-2.html\">Abstract<\/a> \u2022 <a href=\"http:\/\/ks.iul-nasu.org.ua\/wp-content\/uploads\/sites\/7\/2025\/02\/1_ks_101.pdf\">PDF<\/a><\/p>\n<p>Linguistic portraiture in Oleksandr Dovzhenko\u02bcs story \u201cEnchanted Desna\u201d<br \/>\n<em>V. Greshchuk, V. Greshchuk<\/em><br \/>\nCulture of the Word, 2024, 2 (101): 21\u201332 \u2022 Language: Ukrainian \u2022 <a href=\"https:\/\/ks.iul-nasu.org.ua\/vypusky-zhurnalu\/2024-2\/zbirnyk-kultura-slova-101-2024\/12367-2.html\">Abstract<\/a> \u2022 <a href=\"http:\/\/ks.iul-nasu.org.ua\/wp-content\/uploads\/sites\/7\/2025\/02\/2_ks_101.pdf\">PDF<\/a><\/p>\n<p>Oleksandr Dovzhenko\u2019s language awareness in the dimensions of Ukrainian identity (Based on diary entries)<br \/>\n<em>T. Kots<\/em><br \/>\nCulture of the Word, 2024, 2 (101): 33\u201348 \u2022 Language: Ukrainian \u2022 <a href=\"https:\/\/ks.iul-nasu.org.ua\/vypusky-zhurnalu\/2024-2\/zbirnyk-kultura-slova-101-2024\/movna-svidomist-oleksandra-dovzhenka-u-vymirah-ukrayinskoyi-identychnosti-na-materiali-shhodennykovyh-zapysiv.html\">Abstract<\/a> \u2022 <a href=\"http:\/\/ks.iul-nasu.org.ua\/wp-content\/uploads\/sites\/7\/2025\/02\/3_ks_101.pdf\">PDF<\/a><\/p>\n<p>O. Dovzhenko\u2019s mastery in verbalizing gender images in the writer\u2019s diary text<br \/>\n<em>T. Kosmeda<\/em><br \/>\nCulture of the Word, 2024, 2 (101): 49\u201360 \u2022 Language: Ukrainian \u2022 <a href=\"https:\/\/ks.iul-nasu.org.ua\/vypusky-zhurnalu\/2024-2\/zbirnyk-kultura-slova-101-2024\/majsternist-o-dovzhenka-u-verbalizatsiyi-gendernyh-obraziv-u-teksti-pysmennytskogo-shhodennyka.html\">Abstract<\/a> \u2022 <a href=\"http:\/\/ks.iul-nasu.org.ua\/wp-content\/uploads\/sites\/7\/2025\/02\/4_ks_101.pdf\">PDF<\/a><\/p>\n<p>The concept of \u201cfire\u201d in the works of Oleksandr Dovzhenko\u2019s: Associative-semantic context<br \/>\n<em>A. Palash<\/em><br \/>\nCulture of the Word, 2024, 2 (101): 61\u201371 \u2022 Language: Ukrainian \u2022 <a href=\"https:\/\/ks.iul-nasu.org.ua\/vypusky-zhurnalu\/2024-2\/zbirnyk-kultura-slova-101-2024\/12378-2.html\">Abstract<\/a> \u2022 <a href=\"http:\/\/ks.iul-nasu.org.ua\/wp-content\/uploads\/sites\/7\/2025\/02\/5_ks_101.pdf\">PDF<\/a><\/p>\n<p>A film portrait of an elite linguistic personality: Linguistic and stylistic reception (Based on documentary films about O. Dovzhenko)<br \/>\n<em>A. Ganzha<\/em><br \/>\nCulture of the Word, 2024, 2 (101): 72\u201387 \u2022 Language: Ukrainian \u2022 <a href=\"https:\/\/ks.iul-nasu.org.ua\/vypusky-zhurnalu\/2024-2\/zbirnyk-kultura-slova-101-2024\/12381-2.html\">Abstract<\/a> \u2022 <a href=\"http:\/\/ks.iul-nasu.org.ua\/wp-content\/uploads\/sites\/7\/2025\/02\/6_ks_101.pdf\">PDF<\/a><\/p>\n<h4>THEORY AND HISTORY OF LINGUISTIC STYLISTICS<\/h4>\n<p>Ukrainian linguopersonology and textology: In search of an individual style<br \/>\n<em>S. Bohdan<\/em><br \/>\nCulture of the Word, 2024, 2 (101): 88\u2013101 \u2022 Language: Ukrainian \u2022 <a href=\"https:\/\/ks.iul-nasu.org.ua\/vypusky-zhurnalu\/2024-2\/zbirnyk-kultura-slova-101-2024\/12386-2.html\">Abstract<\/a> \u2022 <a href=\"http:\/\/ks.iul-nasu.org.ua\/wp-content\/uploads\/sites\/7\/2025\/02\/7_ks_101.pdf\">PDF<\/a><\/p>\n<p>Transformation of the artistic and aesthetic canon of Ukrainian poetic language during the war<br \/>\n<em>H. S\u0456uta<\/em><br \/>\nCulture of the Word, 2024, 2 (101): 102\u2013111 \u2022 Language: Ukrainian \u2022 <a href=\"https:\/\/ks.iul-nasu.org.ua\/vypusky-zhurnalu\/2024-2\/zbirnyk-kultura-slova-101-2024\/12389-2.html\">Abstract<\/a> \u2022 <a href=\"http:\/\/ks.iul-nasu.org.ua\/wp-content\/uploads\/sites\/7\/2025\/02\/8_ks_101.pdf\">PDF<\/a><\/p>\n<h4>LANGUAGE AND TIME<\/h4>\n<p>Dynamics of the composition and functions of explanatory-separating conjunctions<br \/>\n<em>K. Horodenska<\/em><br \/>\nCulture of the Word, 2024, 2 (101): 112\u2013122 \u2022 Language: Ukrainian \u2022 <a href=\"https:\/\/ks.iul-nasu.org.ua\/vypusky-zhurnalu\/2024-2\/zbirnyk-kultura-slova-101-2024\/12392-2.html\">Abstract<\/a> \u2022 <a href=\"http:\/\/ks.iul-nasu.org.ua\/wp-content\/uploads\/sites\/7\/2025\/02\/9_ks_101.pdf\">PDF<\/a><\/p>\n<p>The latest names of professions in the media space<br \/>\n<em>S. Tereshchenko<\/em><br \/>\nCulture of the Word, 2024, 2 (101): 123\u2013138 \u2022 Language: Ukrainian \u2022 <a href=\"https:\/\/ks.iul-nasu.org.ua\/vypusky-zhurnalu\/2024-2\/zbirnyk-kultura-slova-101-2024\/novitni-nazvy-profesij-u-masmedijnomu-prostori.html\">Abstract<\/a> \u2022 <a href=\"http:\/\/ks.iul-nasu.org.ua\/wp-content\/uploads\/sites\/7\/2025\/02\/10_ks_101.pdf\">PDF<\/a><\/p>\n<h4>THE WORD IN A WORK OF ART<\/h4>\n<p>Artistic interpretation of the concept of the <em>word<\/em> in the work of Myroslav Dochyn\u0435ts<br \/>\n<em>L. Kravets<\/em><br \/>\nCulture of the Word, 2024, 2 (101): 139\u2013151 \u2022 Language: Ukrainian \u2022 <a href=\"https:\/\/ks.iul-nasu.org.ua\/vypusky-zhurnalu\/2024-2\/zbirnyk-kultura-slova-101-2024\/12400-2.html\">Abstract<\/a> \u2022 <a href=\"http:\/\/ks.iul-nasu.org.ua\/wp-content\/uploads\/sites\/7\/2025\/02\/11_ks_101.pdf\">PDF<\/a><\/p>\n<p>Stylistic syntax and structure of author\u2019s notes in the works of Olha Kobylianska<br \/>\n<em>I. Struk<\/em><br \/>\nCulture of the Word, 2024, 2 (101): 152\u2013161 \u2022 Language: Ukrainian \u2022 <a href=\"https:\/\/ks.iul-nasu.org.ua\/vypusky-zhurnalu\/2024-2\/zbirnyk-kultura-slova-101-2024\/12403-2.html\">Abstract<\/a> \u2022 <a href=\"http:\/\/ks.iul-nasu.org.ua\/wp-content\/uploads\/sites\/7\/2025\/02\/12_ks_101.pdf\">PDF<\/a><\/p>\n<p>Color-symbols of Oleksandr Hoshylyk\u02bcs poetry<br \/>\n<em>L. Andrushchenko<\/em><br \/>\nCulture of the Word, 2024, 2 (101): 162\u2013169 \u2022 Language: Ukrainian \u2022 <a href=\"https:\/\/ks.iul-nasu.org.ua\/vypusky-zhurnalu\/2024-2\/zbirnyk-kultura-slova-101-2024\/kolorosymvolika-poeziyi-oleksandra-goshylyka.html\">Abstract<\/a> \u2022 <a href=\"http:\/\/ks.iul-nasu.org.ua\/wp-content\/uploads\/sites\/7\/2025\/02\/13_ks_101.pdf\">PDF<\/a><\/p>\n<h4>FROM HISTORY OF CULTURE AND WRITTEN LANGUAGE<\/h4>\n<p>Noun forms with the stem on <em>-at-<\/em> as \u0430 word-forming base: Appellative and onymic word-forming types<br \/>\n<em>I. Kuzma<\/em><br \/>\nCulture of the Word, 2024, 2 (101): 170\u2013187 \u2022 Language: Ukrainian \u2022 <a href=\"https:\/\/ks.iul-nasu.org.ua\/vypusky-zhurnalu\/2024-2\/zbirnyk-kultura-slova-101-2024\/imennykovi-formy-z-osnovoyu-na-at-yak-deryvanty-apelyatyvni-j-onimni-slovotvirni-typy.html\">Abstract<\/a> \u2022 <a href=\"http:\/\/ks.iul-nasu.org.ua\/wp-content\/uploads\/sites\/7\/2025\/02\/14_ks_101.pdf\">PDF<\/a><\/p>\n<p><strong>REVIEWS<\/strong><\/p>\n<p>Podlasie world of the Native word. Review of the publication: <strong>The Land of One\u02bcs Own Word. Anthology of Ukrainian-Language Literature of Podlasie.<\/strong> Edited and introduced by Yuri\u0456 Havryliuk. Bilsk na Podlasie: Podlasie Scientific Institute, 2023.<br \/>\n<em>M. Tkachuk<\/em><br \/>\nCulture of the Word, 2024, 2 (101): 188\u2013197 \u2022 Language: Ukrainian \u2022 Abstract \u2022 <a href=\"http:\/\/ks.iul-nasu.org.ua\/wp-content\/uploads\/sites\/7\/2025\/02\/15_ks_101.pdf\">PDF<\/a><\/p>\n<h4>OUR CONSULTATIONS<\/h4>\n<p><em>Zadiianyi \u2013 zaluchenyi<\/em><br \/>\n<em>S. Bybyk<\/em><br \/>\nCulture of the Word, 2024, 2 (101): 198\u2013201 \u2022 Language: Ukrainian \u2022 Abstract \u2022 <a href=\"http:\/\/ks.iul-nasu.org.ua\/wp-content\/uploads\/sites\/7\/2025\/02\/16_ks_101.pdf\">PDF<\/a><\/p>\n<p><em>Napryklad \u2013 do prykladu \u2013 prymirom<\/em><br \/>\n<em>S. Bybyk<\/em><br \/>\nCulture of the Word, 2024, 2 (101): 202\u2013203 \u2022 Language: Ukrainian \u2022 Abstract \u2022 <a href=\"http:\/\/ks.iul-nasu.org.ua\/wp-content\/uploads\/sites\/7\/2025\/02\/17_ks_101.pdf\">PDF<\/a><\/p>\n<p><em>Natomist, vse-taky\u2026 \u2013 todi yak<\/em><br \/>\n<em>S. Bybyk<\/em><br \/>\nCulture of the Word, 2024, 2 (101): 204\u2013205 \u2022 Language: Ukrainian \u2022 Abstract \u2022 <a href=\"http:\/\/ks.iul-nasu.org.ua\/wp-content\/uploads\/sites\/7\/2025\/02\/18_ks_101.pdf\">PDF<\/a><\/p>\n<p>We create <em>self-brend, selfbrend<\/em> or <em>vlasnyi brend<\/em><br \/>\n<em>L. Kozlovska, S. Tereshchenko<\/em><br \/>\nCulture of the Word, 2024, 2 (101): 206\u2013210 \u2022 Language: Ukrainian \u2022 Abstract \u2022 <a href=\"http:\/\/ks.iul-nasu.org.ua\/wp-content\/uploads\/sites\/7\/2025\/02\/19_ks_101.pdf\">PDF<\/a><\/p>\n<p><em>Tsyfrovyi \u2013 dydzhytal<\/em><br \/>\n<em>S. Bybyk<\/em><br \/>\nCulture of the Word, 2024, 2 (101): 211\u2013213 \u2022 Language: Ukrainian \u2022 Abstract \u2022 <a href=\"http:\/\/ks.iul-nasu.org.ua\/wp-content\/uploads\/sites\/7\/2025\/02\/20_ks_101.pdf\">PDF<\/a><\/p>\n<p><em>Tskuvannia \u2013 mobinh<\/em><br \/>\n<em>S. Bybyk<\/em><br \/>\nCulture of the Word, 2024, 2 (101): 214\u2013215 \u2022 Language: Ukrainian \u2022 Abstract \u2022 <a href=\"http:\/\/ks.iul-nasu.org.ua\/wp-content\/uploads\/sites\/7\/2025\/02\/21_ks_101.pdf\">PDF<\/a>","protected":false},"excerpt":{"rendered":"<p>CONTENTS LANGUAGE WORLD OF OLEKSANDR DOVZHENKO\u2019S: MODERN RECEPTION The language of Oleksandr Dovzhenko\u2019s cinematic novel \u201cUkraine on fire\u201d: Style integration S. Yermolenko Culture of the Word, 2024, 2 (101): 7\u201320 \u2022 Language: Ukrainian \u2022 Abstract \u2022 PDF Linguistic portraiture in Oleksandr Dovzhenko\u02bcs story \u201cEnchanted Desna\u201d V. Greshchuk, V. Greshchuk Culture of the Word, 2024, 2 [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":12346,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-gurnal.php","meta":{"footnotes":""},"class_list":["post-12358","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12358","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=12358"}],"version-history":[{"count":20,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12358\/revisions"}],"predecessor-version":[{"id":12976,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12358\/revisions\/12976"}],"up":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12346"}],"wp:attachment":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=12358"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}