{"id":12389,"date":"2025-02-06T09:19:47","date_gmt":"2025-02-06T07:19:47","guid":{"rendered":"https:\/\/ks.iul-nasu.org.ua\/?page_id=12389"},"modified":"2025-02-06T12:19:16","modified_gmt":"2025-02-06T10:19:16","slug":"12389-2","status":"publish","type":"page","link":"https:\/\/ks.iul-nasu.org.ua\/en\/vypusky-zhurnalu\/2024-2\/zbirnyk-kultura-slova-101-2024\/12389-2.html","title":{"rendered":"TRANSFORMATION OF THE ARTISTIC AND AESTHETIC CANON OF THE UKRAINIAN POETIC LANGUAGE DURING THE WAR"},"content":{"rendered":" <\/p>\n

Halyna S\u0406UTA,<\/strong>
\nDoctor of Philological Sciences, Professor, Leading Researcher of Department of Stylistics, Language Culture and Sociolinguistics,
\nInstitute of the Ukrainian Language of the National Academy of Sciences of Ukraine;
\n4 Mykhaila Hrushevskoho St., Kyiv 01001, Ukraine;
\n\u0435-mail: siutagalia@gmail.com
\nORCID: https:\/\/orcid.org\/0000-0003-3273-1644<\/p>\n

Heading:<\/strong> THEORY AND HISTORY OF LINGUISTIC STYLISTICS
\nLanguage:<\/strong> Ukrainian<\/p>\n

Abstract<\/strong>
\nThe article notes that the reality of the war changed the Ukrainian lingual consciousness. Accordingly, there has been a certain transformation of the artistic and aesthetic canon.
\nThe article describes in detail the following characteristic changes: a) transformation of the figurative and expressive canon, vulgarisation of the vocabulary; b) transformation of the emotional and expressive canon, dominance of the modalities of anger, rage, hatred, call for revenge and punishment towards \u2018outsiders\u2019 and glorification towards \u2018insiders\u2019; c) emergence of new semantic and evaluative accents in the lexemes that fill the core of the war vocabulary.
\nThese changes are most clearly identified in the texts of poems and songs \u2018from the shelter\u2019, i. e. those that appeared after 24 February 2022. For researchers, these texts are important because they very clearly reflect the thoughts and emotions of Ukrainians related to the war. Cognitive analysis of these texts reveals an intensive renewal of the set of actual images, transformation of the axiological system of coordinates (in particular, their polarisation), and captures changes in the collective consciousness and lingual picture of the world.
\nIt is observed that the figurative and aesthetic models of text creation characteristic of the national artistic tradition are significantly weakened in the circumstances of war. The need to describe and characterise the war, to verbalise the actual meanings of wartime, leads to the design of new narratives and new modalities that testify to a departure from the national artistic and aesthetic canon.
\nKey words:<\/strong> poetic text, artistic and aesthetic canon, lingual picture of the world, poetic dictionary, modality.<\/p>\n

REFERENCES<\/strong>
\nDanylchuk, D. (2023). The war that changed the language: Russia with a small letter, the legitimisation of swearing. URL: http:\/\/surl.li\/ehoyu (in Ukr.).
\nKhotyn, R. (2022). Do nightingales swear? Foul language during the war. URL: http:\/\/surl.li\/zazage (in Ukr.).
\nTaranenko, O. (2023). The Russian-Ukrainian war and the Ukrainian language (preliminary observations). I. Linguistics, 3,<\/em> 3\u201329 (in Ukr.).","protected":false},"excerpt":{"rendered":"

  Halyna S\u0406UTA, Doctor of Philological Sciences, Professor, Leading Researcher of Department of Stylistics, Language Culture and Sociolinguistics, Institute of the Ukrainian Language of the National Academy of Sciences of Ukraine; 4 Mykhaila Hrushevskoho St., Kyiv 01001, Ukraine; \u0435-mail: siutagalia@gmail.com ORCID: https:\/\/orcid.org\/0000-0003-3273-1644 Heading: THEORY AND HISTORY OF LINGUISTIC STYLISTICS Language: Ukrainian Abstract The article notes […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":12358,"menu_order":8,"comment_status":"closed","ping_status":"closed","template":"page-doi.php","meta":{"footnotes":""},"class_list":["post-12389","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12389","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=12389"}],"version-history":[{"count":3,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12389\/revisions"}],"predecessor-version":[{"id":12422,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12389\/revisions\/12422"}],"up":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12358"}],"wp:attachment":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=12389"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}