{"id":12406,"date":"2025-02-06T09:52:48","date_gmt":"2025-02-06T07:52:48","guid":{"rendered":"https:\/\/ks.iul-nasu.org.ua\/?page_id=12406"},"modified":"2025-02-06T12:34:05","modified_gmt":"2025-02-06T10:34:05","slug":"kolorosymvolika-poeziyi-oleksandra-goshylyka","status":"publish","type":"page","link":"https:\/\/ks.iul-nasu.org.ua\/en\/vypusky-zhurnalu\/2024-2\/zbirnyk-kultura-slova-101-2024\/kolorosymvolika-poeziyi-oleksandra-goshylyka.html","title":{"rendered":"COLOR-SYMBOLS OF OLEKSANDR HOSHYLYK\u02bcS POETRY"},"content":{"rendered":" <\/p>\n

Liudmyla ANDRUSHCHENKO,<\/strong>
\nteacher of the Ukrainian language and literature of the highest category, the senior teacher, the deputy director for academic work,
\nUkrainian Physics and Mathematics Lyceum of Taras Shevchenko National University of Kyiv;
\n45-\u0410 Bohdana Khmelnitskoho St., Vyshneve, Kyiv region, 08132, Ukrain\u0435;
\ne-mail: lyudmilaupml@gmail.com
\nORCID: https:\/\/orcid.org\/0009-0008-5661-2897<\/p>\n

Heading:<\/strong> THE WORD IN A WORK OF ART
\nLanguage:<\/strong> Ukrainian<\/p>\n

Abstract<\/strong>
\nThe metaphorics of the colors of modern Ukrainian poetry is closely related to the military theme, since poets today became warriors, and many warriors became poets. The article analyzes the role of colors-symbols \u201cred\u201d and \u201cblack\u201d in the poetic texts of the poet-warrior Oleksandr Hoshylyk. The texts of poems from his collection \u201cThe Bridge through the Eternity\u201d (2016) and from his personal telegram channel \u201cThe Damn Molfar\u201d were analyzed.
\nThe author\u2019s images-symbols of life and death, in comparison with the folklore and literary traditions, are penetrated through the theme of war. The poetic world of O. Hoshylyk exists in the dimensions of \u201cgood \u2013 evil\u201d, \u201clife \u2013 death\u201d, \u201cmine \u2013 alien\u201d, therefore the color symbolism of his works is also two-dimensional, black and white, but with a \u201cbloody line\u201d that the war drew.
\nThe results of the studying of the text have shown that in the black and white world of the poet-warrior, the opposition \u201cred \u2013 black\u201d reflects the opposition \u201clife \u2013 death\u201d and \u201csacrifice \u2013 death\u201d. The red color in the analyzed poems is primarily associated with the color of blood, therefore it is ambivalent: it is both the hot pulse of life and the image of the birth of the future of Ukraine in heavy battles as in the childbirth; but it is also sacrificed, and the heavy losses in battles. The Black color in the author\u2019s texts is always the death, the darkness and the emptiness.
\nKey words:<\/strong> color symbol, language of wartime poetry, metaphor, epithet, anthropomorphization.<\/p>\n

REFERENCES<\/strong>
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\nTrehub, O. Red is not love, and black is not sorrow: complete history of colors. URL: https:\/\/www.platfor.ma\/topics\/knowledge\/najyaskravishyj-tekst-v-istoriyi-oleksandr-tregub-vse-shho-treba-znaty-pro-kolory\/ (accessed: 03.11.2024) (in Ukr.).","protected":false},"excerpt":{"rendered":"

  Liudmyla ANDRUSHCHENKO, teacher of the Ukrainian language and literature of the highest category, the senior teacher, the deputy director for academic work, Ukrainian Physics and Mathematics Lyceum of Taras Shevchenko National University of Kyiv; 45-\u0410 Bohdana Khmelnitskoho St., Vyshneve, Kyiv region, 08132, Ukrain\u0435; e-mail: lyudmilaupml@gmail.com ORCID: https:\/\/orcid.org\/0009-0008-5661-2897 Heading: THE WORD IN A WORK OF […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":12358,"menu_order":13,"comment_status":"closed","ping_status":"closed","template":"page-doi.php","meta":{"footnotes":""},"class_list":["post-12406","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12406","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=12406"}],"version-history":[{"count":2,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12406\/revisions"}],"predecessor-version":[{"id":12427,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12406\/revisions\/12427"}],"up":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12358"}],"wp:attachment":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=12406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}