{"id":12549,"date":"2025-02-11T15:37:36","date_gmt":"2025-02-11T13:37:36","guid":{"rendered":"https:\/\/ks.iul-nasu.org.ua\/?page_id=12549"},"modified":"2025-02-11T15:46:35","modified_gmt":"2025-02-11T13:46:35","slug":"pertseptyvna-leksyka-u-romani-tamary-goriha-zernya-dotsya","status":"publish","type":"page","link":"https:\/\/ks.iul-nasu.org.ua\/en\/vypusky-zhurnalu\/2024-2\/zbirnyk-kultura-slova-100-2024\/pertseptyvna-leksyka-u-romani-tamary-goriha-zernya-dotsya.html","title":{"rendered":"PERCEPTIVE VOCABULARY IN THE NOVEL \u201cDOTSIA\u201d (\u201cDAUGHTER\u201d) BY TAMARA HORIKHA ZERNIA"},"content":{"rendered":" <\/p>\n

Zhanna KOLOIZ,<\/strong>
\nDoctor of Philological Sciences, Full Professor, Head of the Ukrainian Language Department,
\nKryvyi Rih State Pedagogical University;
\n54, University St., Kryvyi Rih, Dnipropetrovsk region, 50086, Ukraine;
\ne-mail: koloiz.zv@gmail.com
\nORCID: https:\/\/orcid.org\/0000-0003-3670-2760<\/p>\n

Heading:<\/strong> WORD IN ART WORK
\nLanguage:<\/strong> Ukrainian<\/p>\n

Abstract<\/strong>
\nThe article examines the peculiarities of the verbalization of exteroceptive sensations in the novel \u201cDotsia\u201d (\u201cDaughter\u201d) by Tamara Horikha Zernia, the objectified results of sensory perception that signal certain realities of the surrounding world are represented. Attention is focused on perceptual images that appeal to the recipient’s consciousness, actualize his perceptual experience and contribute to the perception of perceptual information. The perceptual vocabulary, which is designed for indirect \u201cirritation\u201d of the relevant sense organs, is presented in the form of visually, auditorily, tactilely, odorically, and gustatory marked samples. These samples are considered to be able to influence the emotional state of the addressee, to cause a certain reaction to the artistically interpreted visual, auditory, tactile, olfactory, and gustatory images of the surrounding world, and to generate appropriate associations.
\nVisual perceptions are differentiated according to certain situations of visual perception, depending on the setting for the perception of specific people and objects, their size, color, shape, movement in space, etc.
\nAuditory perceptuals are characterized through the prism of sensations localized in the recipient’s consciousness through the organ of hearing, which adjust the addressee to the perception and interpretation of both natural and artificial sounds. The ways of representation of different acoustic categories using different linguistic means are outlined \u2013 first of all, words with a part-linguistic meaning of objectivity, procedural or non-procedural feature.
\nTactile perceptions are interpreted as the result of subject-object interaction, contact, direct touch of someone to something or vice versa. The spectrum of tactile vocabulary is quite varied, its differentiation, in addition to nuclear elements, includes units for the designation of tactile sensations related to the determination of temperature, humidity, texture, plasticity, etc.
\nThe specificity of the use of olfactory and gustatory perceptives, their semantic load in the artistic text, is proven.
\nKey words:<\/strong> perceptual vocabulary, perceptual image, labeled unit, addressee.<\/p>\n

REFERENCES<\/strong>
\nBurych, L. (2018). Sensorisms as representatives of the author\u2019s consciousness. Bulletin of Lviv University. Journalism series, 43,<\/em> 218\u2013226 (in Ukr.).
\nHladchenko, K. (2015). Perceptual vocabulary in the linguistic picture of the world (cognitive aspect). Linguistic Bulletin, 4,<\/em> 35\u201343 (in Ukr.).
\nHorikha Zernia, T. (2011). \u201cFor me, war is an important part of our existence\u201d. URL: https:\/\/suspilne.media\/culture\/141948-dla-mene-vijna-e-vazlivou-castinou-nasogo-butta-intervu-z-tamarou-goriha-zerna\/ (in Ukr.).
\nHorikha Zernia, T. (2019). Dotsia: a novel. Kyiv: Bilka (in Ukr.).
\nHorikha Zernia, T. (2020). \u201cI really want our writers to return again and again to the theme of war\u201d. URL: https:\/\/lb.ua\/culture\/2020\/08\/16\/464002_tamara_goriha_zernya_ya_duzhe_ hochu_shchob.html (in Ukr.).
\nKoloiz, Zh.V. (2018). Cognitive-pragmatic potential of auditory perceptives in the poetic speech of Vasyl Stus. Philological studies: Scientific bulletin of the Kryvyi Rih State Pedagogical University, 17,<\/em> 134\u2013153 (in Ukr.).
\nKoloiz, Zh.V. (2018). The specifics of tactile vocabulary in Valentina Masterova\u2019s novel \u201cDaughter of a Bitch\u201d. Spiritual heritage of Eastern Polissia (pp. 188\u2013192). Gomel (in Ukr.).
\nPukhonska, O.Ya. (2021). From history to Donbas: the identity space of war in Tamara Horikha Zernia\u02bcs novel \u201cDotsia\u201d. Transcarpathian Philological Studies, 15,<\/em> 207\u2013212 (in Ukr.).
\nRenchka, I.Ye. (2020). Linguistic behavior and language stability of Ukrainians in the conditions of the Russian-Ukrainian war (based on the novel \u201cDotsia\u201d by Tamara Horikha Zernia). Ukrainian language, 3(75),<\/em> 75\u201391 (in Ukr.).
\nSemashko, T. (2015). Ethnostereotypes of the tactile mode of perception: dynamics of formation. Scientific Bulletin of the International Humanitarian University. Philology, 17(1),<\/em> 39\u201342 (in Ukr.).","protected":false},"excerpt":{"rendered":"

  Zhanna KOLOIZ, Doctor of Philological Sciences, Full Professor, Head of the Ukrainian Language Department, Kryvyi Rih State Pedagogical University; 54, University St., Kryvyi Rih, Dnipropetrovsk region, 50086, Ukraine; e-mail: koloiz.zv@gmail.com ORCID: https:\/\/orcid.org\/0000-0003-3670-2760 Heading: WORD IN ART WORK Language: Ukrainian Abstract The article examines the peculiarities of the verbalization of exteroceptive sensations in the novel […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":12348,"menu_order":11,"comment_status":"closed","ping_status":"closed","template":"page-doi.php","meta":{"footnotes":""},"class_list":["post-12549","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12549","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=12549"}],"version-history":[{"count":3,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12549\/revisions"}],"predecessor-version":[{"id":12552,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12549\/revisions\/12552"}],"up":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12348"}],"wp:attachment":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=12549"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}