{"id":12554,"date":"2025-02-11T16:55:33","date_gmt":"2025-02-11T14:55:33","guid":{"rendered":"https:\/\/ks.iul-nasu.org.ua\/?page_id=12554"},"modified":"2025-02-11T17:01:37","modified_gmt":"2025-02-11T15:01:37","slug":"markery-natsionalnoyi-kartyny-svitu-ukrayintsiv-u-poetychnomu-dyskursi-neoklasykiv","status":"publish","type":"page","link":"https:\/\/ks.iul-nasu.org.ua\/en\/vypusky-zhurnalu\/2024-2\/zbirnyk-kultura-slova-100-2024\/markery-natsionalnoyi-kartyny-svitu-ukrayintsiv-u-poetychnomu-dyskursi-neoklasykiv.html","title":{"rendered":"MARKERS OF THE NATIONAL PICTURE OF THE WORLD OF UKRAINIANS IN THE POETIC DISCOURSE OF THE NEOCLASSICS"},"content":{"rendered":"&nbsp;<\/p>\n<p><strong>Alona PALASH,<\/strong><br \/>\nPhD, Junior Researcher Department of Stylistics, Language Culture and Sociolinguistics,<br \/>\nInstitute of the Ukrainian Language of the National Academy of Sciences of Ukraine;<br \/>\n4, Mykhaila Hrushevskoho St., Kyiv, 01001, Ukraine;<br \/>\n\u0435-mail: palash706@gmail.com<br \/>\nORCID: https:\/\/orcid.org\/0000-0001-5283-9906<\/p>\n<p><strong>Heading:<\/strong> WORD IN ART WORK<br \/>\n<strong>Language:<\/strong> Ukrainian<\/p>\n<p><strong>Abstract<\/strong><br \/>\nThe article analyses the linguistic and aesthetic cultural signs (MEZK) as markers of the national picture of the world of Ukrainians, focusing on the poetic discourse of Ukrainian neoclassics. The poetic language of the neoclassics organically combines the achievements of the world classics and national traditions, creating a rich cultural space full of images and symbols, including <em>earth, fire,<\/em> and <em>Ukraine.<\/em> The linguistic and aesthetic development of MEZK in their discourse demonstrates the complexity and diversity of these signs, which is due to both internal artistic needs and external socio-historical factors. The article traces traditional and modern contextual syntagmatic and paradigmatic connections between the nominations <em>earth, fire,<\/em> and <em>Ukraine.<\/em> This interpretation contributes to the consolidation of characteristic connotations associated with national and cultural connotations in the poetic and common language vocabulary. The reception and interpretation of the images of <em>land, fire,<\/em> and <em>Ukraine<\/em> in the poetry of the neoclassics are multidimensionally based on the folklore and mythological tradition, while reflecting the latest socio-political connotations motivated by the times. These processes demonstrate the complex and multifaceted nature of linguistic and aesthetic cultural signs that are markers of the national picture of the world of Ukrainians.<br \/>\n<strong>Key words:<\/strong> linguistic and aesthetic cultural sign, national picture of the world, national and cultural connotations, ethnoconotation, semantics.<\/p>\n<p><strong>REFERENCES<\/strong><br \/>\nKovaliv, Yu.I. Ukrainian poetry of the first half of the 20th century. Kyiv: Pershe veresnya (in Ukr.).<br \/>\nVoitovych, L.V. (2002). Ukrainian mythology. Kyiv: Lybid (in Ukr.).<br \/>\nYermolenko, S. (1999). Essays on Ukrainian literature: Stylistics and Culture of Language. Kyiv: Dovira (in Ukr.).<br \/>\nYermolenko, S. (2009). Linguistic and aesthetic signs of Ukrainian culture. Kyiv (in Ukr.).<br \/>\nZhaivoronok, V.V. (2006). Signs of Ukrainian Ethnoculture: Dictionary and Reference Book. Kyiv: Dovira (in Ukr.).<\/p>\n<p><strong>LEGEND<\/strong><br \/>\n\u0414\u0440\u0430\u0439-\u0425\u043c\u0430\u0440\u0430 \u2013 Drai-Khmara, M. (1989). Selected. Kyiv: Dnipro (in Ukr.).<br \/>\n\u0417\u0435\u0440\u043e\u0432 \u2013 Zerov, M.K. (1990). Works: in 2 vols. Vol. 1: Poems. Translations. Kyiv: Dnipro (in Ukr.).<br \/>\n\u0420\u0438\u043b\u044c\u0441\u044c\u043a\u0438\u0439 \u2013 Rylskyi, M.T. (1983\u20131990). Collected works: in 20 vols. Kyiv: Naukova dumka (in Ukr.).<br \/>\n\u0421\u0423\u041c \u2013 Dictionary of the Ukrainian Language: in 11 vols. (1970\u20131980). Kyiv: Naukova dumka (in Ukr.).<br \/>\n\u0424\u0438\u043b\u0438\u043f\u043e\u0432\u0438\u0447 \u2013 Fylypovych, P. (1989). Poetry. Kyiv: Rad. pysmennyk (in Ukr.).<br \/>\n\u042e. \u041a\u043b\u0435\u043d \u2013 Klen, Yu. (1991). Selected. Yu. Kovaliv (ed.). Kyiv: Dnipro (in Ukr.).","protected":false},"excerpt":{"rendered":"<p>&nbsp; Alona PALASH, PhD, Junior Researcher Department of Stylistics, Language Culture and Sociolinguistics, Institute of the Ukrainian Language of the National Academy of Sciences of Ukraine; 4, Mykhaila Hrushevskoho St., Kyiv, 01001, Ukraine; \u0435-mail: palash706@gmail.com ORCID: https:\/\/orcid.org\/0000-0001-5283-9906 Heading: WORD IN ART WORK Language: Ukrainian Abstract The article analyses the linguistic and aesthetic cultural signs (MEZK) [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":12348,"menu_order":12,"comment_status":"closed","ping_status":"closed","template":"page-doi.php","meta":{"footnotes":""},"class_list":["post-12554","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12554","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=12554"}],"version-history":[{"count":4,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12554\/revisions"}],"predecessor-version":[{"id":12558,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12554\/revisions\/12558"}],"up":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12348"}],"wp:attachment":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=12554"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}