{"id":12608,"date":"2025-02-13T12:39:34","date_gmt":"2025-02-13T10:39:34","guid":{"rendered":"https:\/\/ks.iul-nasu.org.ua\/?page_id=12608"},"modified":"2025-02-13T13:27:43","modified_gmt":"2025-02-13T11:27:43","slug":"fenomen-narodna-pisnya-v-lingvosofiyi-pavla-zagrebelnogo","status":"publish","type":"page","link":"https:\/\/ks.iul-nasu.org.ua\/en\/vypusky-zhurnalu\/2024-2\/zbirnyk-kultura-slova-100-2024\/fenomen-narodna-pisnya-v-lingvosofiyi-pavla-zagrebelnogo.html","title":{"rendered":"THE PHENOMENON OF “FOLK SONG” IN LINGUOSOPHY OF PAVLO ZAHREBELNYI"},"content":{"rendered":" <\/p>\n

Nataliia HOLIKOVA,<\/strong>
\nDoctor of Philological Sciences, Associate Professor, Professor of the Department of the Ukrainian Language,
\nOles Honchar Dniprovsk National University;
\n72, Nauky Ave., Dnipro, 49010, Ukraine;
\n\u0435-mail: nataliaholikova62@gmail.com
\nORCID: https:\/\/orcid.org\/0000-0003-4157-1275<\/p>\n

Heading:<\/strong> ARTISTIC AND PUBLICISTIC DISCOURSE OF PAVLO ZAHREBELNYI
\nLanguage:<\/strong> Ukrainian<\/p>\n

Abstract<\/strong>
\nThe article analyzes the linguistic and stylistic features of ethnolinguistic signs that are indicative of P. Zahrebelnyi\u2019s fiction. The concept of \u201cfolk song\u201d is actualized as a phenomenal phenomenon of Ukrainian culture, the textual representatives of which acquire the features of stylistics in a number of the writer\u2019s works. From the typological, genre, structural and graphic point of view, the author characterizes the general array of folk songs and their fragments quoted by the author; identifies common and distinctive semantic and semantic shades of recurring folklorisms. The attention is focused on the logical-semantic and functional features of ethnosong signs recorded in three novels \u2013 \u201cDeath in Kyiv\u201d, \u201cRoksolana\u201d, \u201cI, Bohdan\u201d, in the vertical contexts of which the most stylistically expressive and most used are, according to the listed works, such historical folk songs as: vigilante songs (period of K\u0443ivan Rus), lament songs and family and household women\u2019s songs (XV\u2013XVI centuries), Cossack songs of various genres (\u0425V\u0406\u0406 century). The textual and cultural-historical originality of the key linguistic units of this sample and their place in the intersemiotic space of the novel \u201cI, Bohdan\u201d are investigated and commented on in detail. It is found that the language of the work of fiction is dominated by historical thoughts created in the middle of the seventeenth century, which appear as social and temporal markers of the national liberation war against the Poles led by Bohdan Khmelnytskyi. It is concluded that in P. Zahrebelnyi\u2019s linguosophy, folk songs of the Cossack cycle are semantically significant, since they convey the main ideas and aspirations of the people during the formation of the Ukrainian nation.
\nKey words:<\/strong> ethnolinguistic sign, folklorism, folk song, stylisteme, intertexteme, historical thought.<\/p>\n

REFERENCES<\/strong>
\nHolikova, N.S. (2018). The language of Pavlo Zahrebelnyi\u02bcs fiction: from word to concept. Dnipro (in Ukr.).
\nMemories of Pavlo Zahrebelnyi. (2010). Compiler \u041c.F. Slaboshpytskyi. Kharkiv (in Ukr.).
\nYermolenko, S.Ya. (1999). Essays on Ukrainian literature: (stylistics and language culture). Kyiv: Dovira (in Ukr.).
\nZahrebelnyi, P.A. (2008). Great, glorious! Not so much? Ya, Bohdan. Kharkiv: Folio (in Ukr.).
\nZahrebelnyi, P.A. (2013). The consolation of history. Roksolana. Kyiv: A-BA-BA-GA-LA-MA-GA (in Ukr.).<\/p>\n

LEGEND<\/strong>
\n\u0414\u0438\u0432\u043e \u2013 Zahrebelnyi, P.A. (2006). Dyvo. Kharkiv: Folio (in Ukr.).
\n\u0420\u043e\u043a\u0441\u043e\u043b\u0430\u043d\u0430 \u2013 Zahrebelnyi, P.A. (2013). Roksolana. Kyiv: A-BA-BA-GA-LA-MA-GA (in Ukr.).
\n\u0421\u043c\u0435\u0440\u0442\u044c \u0443 \u041a\u0438\u0454\u0432\u0456 \u2013 Zahrebelnyi, P.A. (1984). Smert u Kyievi. Works in six volumes. Vol. 2. Kyiv: Dnipro (in Ukr.).
\n\u0423\u0424\u0415 \u2013 Skrypnyk, H. (Ed.). (2019). Ukrainian folklore encyclopedia. Kyiv (in Ukr.).
\n\u042f, \u0411\u043e\u0433\u0434\u0430\u043d. \u2013 Zahrebelnyi, P. A. (2008). Ya, Bohdan. Kharkiv: Folio (in Ukr.).","protected":false},"excerpt":{"rendered":"

  Nataliia HOLIKOVA, Doctor of Philological Sciences, Associate Professor, Professor of the Department of the Ukrainian Language, Oles Honchar Dniprovsk National University; 72, Nauky Ave., Dnipro, 49010, Ukraine; \u0435-mail: nataliaholikova62@gmail.com ORCID: https:\/\/orcid.org\/0000-0003-4157-1275 Heading: ARTISTIC AND PUBLICISTIC DISCOURSE OF PAVLO ZAHREBELNYI Language: Ukrainian Abstract The article analyzes the linguistic and stylistic features of ethnolinguistic signs that […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":12348,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"page-doi.php","meta":{"footnotes":""},"class_list":["post-12608","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12608","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=12608"}],"version-history":[{"count":4,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12608\/revisions"}],"predecessor-version":[{"id":12615,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12608\/revisions\/12615"}],"up":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12348"}],"wp:attachment":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=12608"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}