{"id":12669,"date":"2025-11-28T12:52:59","date_gmt":"2025-11-28T10:52:59","guid":{"rendered":"https:\/\/ks.iul-nasu.org.ua\/?page_id=12669"},"modified":"2026-03-25T15:29:55","modified_gmt":"2026-03-25T13:29:55","slug":"leksyko-gramatychna-struktura-poetychnogo-tekstu-liny-kostenko","status":"publish","type":"page","link":"https:\/\/ks.iul-nasu.org.ua\/en\/vypusky-zhurnalu\/2025-2\/zbirnyk-kultura-slova-102-2025\/leksyko-gramatychna-struktura-poetychnogo-tekstu-liny-kostenko.html","title":{"rendered":"LEXICAL AND GRAMMATICAL ORGANIZATION OF LINA KOSTENKO\u2019S POETIC TEXT"},"content":{"rendered":"&nbsp;<\/p>\n<p><strong>Olesia TIELIEZHKINA,<\/strong><br \/>\nDoctor of Philologicy, Professor, Professor of the Department of Psychology, Pedagogy and Language Training,<br \/>\nO.M. Beketov National University of Urban Economy in Kharkiv;<br \/>\n17 Chornohlazivska St., Kharkiv 61002, Ukraine;<br \/>\ne-mail: o_tele_o@ukr.net<br \/>\nORCID: https:\/\/orcid.org\/0000-0002-2953-7368<\/p>\n<p><strong>Heading<\/strong>: WORD IN ART WORK<br \/>\n<strong>Language<\/strong>: Ukrainian<\/p>\n<p><strong>Abstract<\/strong><br \/>\nThe issue of poetic language functioning is one of the most important in contemporary Ukrainian linguistics, which is why it has been addressed by linguists of many generations. Despite the considerable academic achievements in this field, such studies remain relevant today. This is due both to the complexity of the subject itself and to the dynamic development of the literary domain. Among the artists whose work is being studied by researchers, the figure of Lina Kostenko stands out. However, the published results of numerous linguistic investigations, unfortunately, do not provide a complete and holistic reflection of the entire richness and uniqueness of the poetess\u2019s poetic language. This encourages further scientific research, in particular in the field of adjusting the linguistic scope of the artist&#8217;s texts with stylistic means of lexical and grammatical creation, which contribute to the saturation of poetic lines with artistic and aesthetic meanings.<br \/>\nBased on the results of the analysis, the scientist concludes that the expressiveness of the artist\u2019s poetic narrative is facilitated by anadiplosis (contact repetition), prosapodosis (distant repetition), doubling (can have both contact and distant implementation options), polyptoton (lexical-morpho-syntactic repetition), annomination (lexical-morpheme-syntactic repetition), anaphora, epiphora, epistrophe, gradation, zeugma, homoeoteleutus. The introduction of these lexical and grammatical means into the fabric of the poetic text makes it possible to intensify and express the reproduced, clarify the expressed, express the artistic and stylistic effect, and embody the author\u2019s creative idea.<br \/>\n<strong>Key words<\/strong>: linguostylistics, poetic language, lexical and grammatical device, artistic and stylistic effect, stylistic figure.<\/p>\n<p><strong>REFERENCES<\/strong><br \/>\nBuzko, S.A. (2013). The functioning of monosyllabic nominative sentences in the poetic work of Lina Kostenko. <em>Philological Studies, 9,<\/em> 488\u2013491 (in Ukr.).<br \/>\nHaliv, U.\u0412. (2020). Lexical repetition as a means of stylistic expression of a poetic text (based on the material from Lina Kostenko\u2019s collection \u201cMadonna Perehrest\u201d). <em>Scientific Bulletin of the I. Franko DSU. Series: Philological Sciences (Linguistics), 13,<\/em> 127\u2013131. https:\/\/doi.org\/10.24919\/2663-6042.13.2020.214365 (in Ukr.).<br \/>\nHaliv, U. (2013). Semantic-stylistic structure of interrogative sentences in the poetic speech of Lina Kostenko. <em>Problems of the Humanities. Philology, 32,<\/em> 135\u2013143 (in Ukr.).<br \/>\nKalinkin, V.M., Linchytska, Yu.V. (2000). From observations on the poetics of the anonymous space of Lina Kostenko\u2019s novel \u201cBerestechko\u201d. <em>Ukrainian proper vocabulary: materials of the scientific seminar (September 13\u201314, 2000)<\/em> (\u0440\u0440. 62\u201369). Kyiv (in Ukr.).<br \/>\nKostenko, L. (2014). Three Hundred Poems: Selected Poems. Kyiv: A-BA-BA-\u041dA-LA-MA-\u041dA (in Ukr.).<br \/>\nMalenytska, O., Briukhova, O. (2016). Grammatical Specificity of Metaphors in Lina Kostenko\u2019s Poetry Collection \u201cThe Garden of Unmelting Sculptures\u201d. <em>Linguistic-stylistic Studies, 5,<\/em> 126\u2013137. (in Ukr.).<br \/>\nMelnyk, M.R. (1999). Onomastics of the works of Lina Kostenko: author\u2019s abstract of the diss. &#8230; cand. of philol. sciences. Odesa (in Ukr.).<br \/>\nOleksenko, \u041e. (2024). Stylistic functions of the participle in Lina Kostenko\u2019s novel \u201cBerestechko\u201d. <em>Ukrainian world in scientific paradigms: collection of scientific works, 11,<\/em> 92\u201395 (in Ukr.).<br \/>\nOleksenko, V. (2015). Repetition in poetic speech by L. Kostenko and V. Symonenko. <em>Ukrainian linguistics, 45\/1,<\/em> 317\u2013324 (in Ukr.).<br \/>\nOmelchenko, A.H. (2022). Semantics of the imperative in the poetic speech of Lina Kostenko. <em>Linguistic studies, 56,<\/em> 295\u2013305. https:\/\/doi.org\/10.34142\/23127546.2022.56.22 (in Ukr.).<br \/>\nOnyshchak, N.P. (2004). On some features of Lina Kostenko\u2019s poetic syntax. <em>Literary studies, 11,<\/em> 306\u2013310 (in Ukr.).<br \/>\nSiuta, H.M. (2020). Elitism and general acceptability of Lina Kostenko\u2019s poetic language. <em>Culture of the Word, 92,<\/em> 87\u2013100. https:\/\/doi.org\/10.37919\/0201-419X-2020.92.7 (in Ukr.).<br \/>\nYermolenko, S.Ya. (2000). \u201cMy people are a thorny twig\u201d (About the poetic word of Lina Kostenko). <em>Culture of the Word, 55\u201356,<\/em> 3\u201313 (in Ukr.).<br \/>\nYermolenko, S.Ya. (2010). The high aesthetics of Lina Kostenko\u2019s poetic word. <em>Culture of the Word, 73,<\/em> 6\u201316 (in Ukr.).","protected":false},"excerpt":{"rendered":"<p>&nbsp; Olesia TIELIEZHKINA, Doctor of Philologicy, Professor, Professor of the Department of Psychology, Pedagogy and Language Training, O.M. Beketov National University of Urban Economy in Kharkiv; 17 Chornohlazivska St., Kharkiv 61002, Ukraine; e-mail: o_tele_o@ukr.net ORCID: https:\/\/orcid.org\/0000-0002-2953-7368 Heading: WORD IN ART WORK Language: Ukrainian Abstract The issue of poetic language functioning is one of the most [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":12634,"menu_order":10,"comment_status":"closed","ping_status":"closed","template":"page-doi.php","meta":{"footnotes":""},"class_list":["post-12669","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12669","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=12669"}],"version-history":[{"count":5,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12669\/revisions"}],"predecessor-version":[{"id":12935,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12669\/revisions\/12935"}],"up":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12634"}],"wp:attachment":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=12669"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}