{"id":12672,"date":"2025-12-01T13:41:24","date_gmt":"2025-12-01T11:41:24","guid":{"rendered":"https:\/\/ks.iul-nasu.org.ua\/?page_id=12672"},"modified":"2026-03-25T15:31:21","modified_gmt":"2026-03-25T13:31:21","slug":"vidlunnya-ellady-movosvit-antychnosti-v-poeziyi-mykoly-zerova","status":"publish","type":"page","link":"https:\/\/ks.iul-nasu.org.ua\/en\/vypusky-zhurnalu\/2025-2\/zbirnyk-kultura-slova-102-2025\/vidlunnya-ellady-movosvit-antychnosti-v-poeziyi-mykoly-zerova.html","title":{"rendered":"ECHOES OF HELLAS: THE LINGUISTIC WORLD OF ANCIGU\u0406TY IN MYKOLA ZEROV\u02bcS POETRY"},"content":{"rendered":"&nbsp;<\/p>\n<p><strong>Alyona PALASH,<\/strong><br \/>\nPhD, junior researcher department of stylistics, language culture and sociolinguistics,<br \/>\nInstitute of the Ukrainian Language of the National Academy of Sciences of Ukraine;<br \/>\n4 Mykhaila Hrushevskoho St., Kyiv 01001, Ukraine;<br \/>\n\u0435-mail: palash706@gmail.com<br \/>\nORCID: https:\/\/orcid.org\/0000-0001-5283-9906<\/p>\n<p><strong>Heading<\/strong>: WORD IN ART WORK<br \/>\n<strong>Language<\/strong>: Ukrainian<\/p>\n<p><strong>Abstract<\/strong><br \/>\nThe article offers a comprehensive analysis of the functioning of antique word-images as a stylistic resource in the poetic work of Mykola Zerov, a recognized leader of Ukrainian Neoclassicism. It emphasizes the profound rooting of the poet\u02bcs aesthetic creed in ancient culture and his pursuit of kalokagathia, which defines the expressive and artistic specificity of Zerov\u02bcs poetics. The study investigates how specific antique images \u2013 such as Muse, Circe, Lotophagi, and figures like Virgil, Caesar, and Odysseus \u2013 not only reproduce mythological and universal cultural meanings but also actively serve as a means of interpreting and allegorically commenting on the tragic contemporary reality. The research identifies novel semantic enrichments and complex intertextual connections of these word-images within Mykola Zerov\u02bcs poetic practice, evidencing his virtuosic command of stylistics and the profound depth of his linguistic thought. This work contributes to a deeper understanding of Ukrainian Neoclassicism\u02bcs engagement with classical heritage and its role in shaping national literary identity during a period of intense cultural and political transformations.<br \/>\nKey words: neoclassicism, antiquity, imagery, stylistics, linguistic thought, M. Zerov, intertextuality.<\/p>\n<p><strong>REFERENCES<\/strong><br \/>\nDerzhavyn, V. (1948). Ukrainian Emigre Literature. Almanac &amp; Calendar for 1948. Munich (in Ukr.).<br \/>\nKovaliv, Yu.I. (1988). Romantic Stylistic Trend in Ukrainian Soviet Poetry of the 1920s\u20131930s. Kyiv (in Ukr.).<br \/>\nKyivan Neoclassicists. (2003). Comp. V. Aheieva. Kyiv: Fakt (in Ukr.).<br \/>\nLiterary Dictionary-Reference (2007). (pp. 490\u2013492). Kyiv: Academ\u0456\u0430 (in Ukr.).<br \/>\nMalenko, O.O. (2010). Linguo-Aesthetic Interpretation of Being in Ukrainian Poetic Language Creation (From Folklore to Postmodernism). Kharkiv (in Ukr.).<br \/>\nPavlychko, S.D. (1995). Theoretical Discourse of Ukrainian Modernism: Manuscript of diss. \u2026 Dr. of Philol. Sciences. Kyiv (in Ukr.).<br \/>\nZerov, M.K. (1990 a). Kamena. Slovo. Kyiv: Chas (in Ukr.).<br \/>\nZerov, M.K. (1990 b). Sonnets and Elegies. Slovo. Kyiv: Chas (in Ukr.).<br \/>\nZerov, M.K. (1926). To the Sources. Literary-Critical Articles. Kyiv: Slovo. URL: https:\/\/tarnawsky.artsci.utoronto.ca\/elul\/history\/Zerov\/Zerov-Do-dzherel.pdf (in Ukr.).<br \/>\nZerov, M.K. (1990 v). Works: in 2 vols. Vol. 1: Poems. Translations. Kyiv: Dnipro (in Ukr.).","protected":false},"excerpt":{"rendered":"<p>&nbsp; Alyona PALASH, PhD, junior researcher department of stylistics, language culture and sociolinguistics, Institute of the Ukrainian Language of the National Academy of Sciences of Ukraine; 4 Mykhaila Hrushevskoho St., Kyiv 01001, Ukraine; \u0435-mail: palash706@gmail.com ORCID: https:\/\/orcid.org\/0000-0001-5283-9906 Heading: WORD IN ART WORK Language: Ukrainian Abstract The article offers a comprehensive analysis of the functioning of [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":12634,"menu_order":11,"comment_status":"closed","ping_status":"closed","template":"page-doi.php","meta":{"footnotes":""},"class_list":["post-12672","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12672","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=12672"}],"version-history":[{"count":4,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12672\/revisions"}],"predecessor-version":[{"id":12936,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12672\/revisions\/12936"}],"up":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12634"}],"wp:attachment":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=12672"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}