{"id":12797,"date":"2026-03-11T15:27:26","date_gmt":"2026-03-11T13:27:26","guid":{"rendered":"https:\/\/ks.iul-nasu.org.ua\/?page_id=12797"},"modified":"2026-04-22T13:35:52","modified_gmt":"2026-04-22T10:35:52","slug":"filosofiya-slova-oleksandra-potebni-ta-estetyka-ukrayinskoyi-neoklasyky","status":"publish","type":"page","link":"https:\/\/ks.iul-nasu.org.ua\/en\/vypusky-zhurnalu\/2025-2\/zbirnyk-kultura-slova-103-2025-2\/filosofiya-slova-oleksandra-potebni-ta-estetyka-ukrayinskoyi-neoklasyky.html","title":{"rendered":"THE PHILOSOPHY OF THE WORD BY OLEKSANDR POTEBN\u0406\u0410 AND THE AESTHETICS OF UKRAINIAN NEOCLASSICISM"},"content":{"rendered":"&nbsp;<\/p>\n<p><strong>Alyona PALASH,<\/strong><br \/>\nPhD, Junior Researcher Department of Stylistics, Language Culture and Sociolinguistics,<br \/>\nInstitute of the Ukrainian Language of the National Academy of Sciences of Ukraine;<br \/>\n4 Mykhaila Hrushevskoho St., Kyiv 01001, Ukraine;<br \/>\n\u0435-mail: palash706@gmail.com<br \/>\nORCID: https:\/\/orcid.org\/0000-0001-5283-9906<\/p>\n<p><strong>Heading<\/strong>: THEORETICAL LINGUISTYLISTICS<br \/>\n<strong>Language<\/strong>: Ukrainian<\/p>\n<p><strong>Abstract<\/strong><br \/>\nThe article examines the influence of Alexander Potebn\u0456a\u2019s linguistic-philosophical concept on the formation of the aesthetic programme of Ukrainian neoclassicism in the 1920s and 1930s. The theoretical works and poetic creativity of M. Zerov, M.Rylsky\u0456, P. F\u0443l\u0443pov\u0443ch, M. Dr\u0430\u0456-Khmara, and Yuri\u0456 Klen are analysed through the prism of Potebn\u0456a\u2019s philosophy of the internal form of the word. It is argued that the cult of perfect form in neoclassical poetry is not just a formalistic phenomenon, but a conscious intellectual strategy for the artistic realisation of Potebn\u0456a\u2019s ideas about the inseparable connection between language, thought and national identity. The study proves that the aestheticisation of the national language corpus through skilful mastery of genre forms (sonnet, tercet, rondo), the principle of cyclisation of the collection and the synthesis of national and European traditions are a practical embodiment of Potebn\u0456a\u2019s concept of poetry as a means of \u2018completing thoughts\u2019 and \u2018forming dreams\u2019. Specific mechanisms of artistic realisation of the concept of the internal form of the word in neoclassical poetic texts are identified. The study demonstrates that neoclassicism organically continued Potebn\u0456a\u2019s tradition of understanding language as an instrument of national and cultural self-identification.<br \/>\n<strong>Key words<\/strong>: philosophy of words, internal form of words, language creation, word-image, Potebn\u0456a, neoclassicists.<\/p>\n<p><strong>REFERENCES<\/strong><br \/>\nCherevchenko, O. (2004). Antique and Biblical reminiscences in the poetic discourse of Ukrainian neoclassicists. <em>Word and time, 8, <\/em>65\u201374 (in Ukr.).<br \/>\nChervinska, O. (1992). Traditional historical character and its functions in the artistic text. <em>Poetics<\/em> (\u0440\u0440. 151\u2013166). Kyiv: Naukova dumka (in Ukr.).<br \/>\nDrai-Khmara, M. (1989). Selected works. Kyiv: Dnipro (in Ukr.).<br \/>\nF\u0443lypovych, P. (1989). Poems. Kyiv: Rad. \u0440ysmennyk (in Ukr.).<br \/>\nF\u0443lypovych, P. (1991). Literary-critical articles. Kyiv: Dnipro (in Ukr.).<br \/>\nKlen, Yu. (1991). Selected works. Kyiv: Dnipro (in Ukr.).<br \/>\nKovaliv, Yu.I. (2000). Ukrainian poetry of the first half of the XX century. Kyiv: Pershe veresnia (in Ukr.).<br \/>\nLavrinenko, Yu. (2001). Lyrics and lyrical epic of Maksym Rylsky. <em>Ukrainian word: A reader\u2019s digest of Ukrainian literature and literary criticism of the 20th century<\/em> (vol. 3, \u0440\u0440. 644\u2013649). Kyiv: Akonit (in Ukr.).<br \/>\nMalenko, O.O. (2010). Linguo-aesthetic interpretation of being in Ukrainian poetic language creation (from folklore to postmodernism). Kharkiv (in Ukr.).<br \/>\nMoisi\u0456enko, A.K. (2020). Maksym Rylsky\u0456\u2019s sonnet verse: structural-compositional and linguistic-figurative organization. <em>Culture of the Word, 92,<\/em> 63\u201375. https:\/\/doi.org\/doi.org\/10.37919\/0201-419X-2020.92.5 (in Ukr.).<br \/>\nMoroz, O.N. (1973). Studies on the sonnet. Kyiv: Dnipro (in Ukr.).<br \/>\nNaumenko, N. (2014). Concepts of the poet\u2019s life and work in the sonnet genre-stanza. <em>Questions of literary studies, 90,<\/em> 144\u2013155 (in Ukr.).<br \/>\nPotebnia, O.O. (1985). Aesthetics and poetics of the word. Kyiv: Mystetstvo (in Ukr.).<br \/>\nRylsky\u0456, M.T. (1983\u20131990). Collected works: in 20 vols. Vol. 1\u201320. Kyiv: Naukova dumka (in Ukr.).<br \/>\nShevelov, Yu. (1998). Prolegomena to the study of H. Skovoroda\u2019s language and style. Kyiv: Chas (in Ukr.).<br \/>\nYermolenko, S.Ya. (1999). Essays on Ukrainian literature: stylistics and language culture. Kyiv: Dovira (in Ukr.).<br \/>\nZerov, M.K. (1990). Sonnets and elegies. Word. Kyiv: Chas (in Ukr.).<br \/>\nZvanych, V.Z. (2002). Style-forming functions of traditional images in the poetry of neoclassicists: diss. \u2026 \u0441and. of \u0440hilol. sciences. Drohobych (in Ukr.).","protected":false},"excerpt":{"rendered":"<p>&nbsp; Alyona PALASH, PhD, Junior Researcher Department of Stylistics, Language Culture and Sociolinguistics, Institute of the Ukrainian Language of the National Academy of Sciences of Ukraine; 4 Mykhaila Hrushevskoho St., Kyiv 01001, Ukraine; \u0435-mail: palash706@gmail.com ORCID: https:\/\/orcid.org\/0000-0001-5283-9906 Heading: THEORETICAL LINGUISTYLISTICS Language: Ukrainian Abstract The article examines the influence of Alexander Potebn\u0456a\u2019s linguistic-philosophical concept on the [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":12737,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"page-doi.php","meta":{"footnotes":""},"class_list":["post-12797","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12797","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=12797"}],"version-history":[{"count":4,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12797\/revisions"}],"predecessor-version":[{"id":13026,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12797\/revisions\/13026"}],"up":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/12737"}],"wp:attachment":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=12797"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}