{"id":13316,"date":"2026-07-08T13:51:44","date_gmt":"2026-07-08T10:51:44","guid":{"rendered":"https:\/\/ks.iul-nasu.org.ua\/?page_id=13316"},"modified":"2026-10-29T04:52:57","modified_gmt":"2026-10-29T02:52:57","slug":"ua-retseptsiya-klyuchovyh-slovo-obraziv-tarasa-shevchenka-v-poetychnomu-dyskursi-neoklasykiv","status":"publish","type":"page","link":"https:\/\/ks.iul-nasu.org.ua\/en\/vypusky-zhurnalu\/2026-2\/ua-zbirnyk-kultura-slova-104-2026-en-journal-culture-of-the-word-104-2026\/ua-retseptsiya-klyuchovyh-slovo-obraziv-tarasa-shevchenka-v-poetychnomu-dyskursi-neoklasykiv.html","title":{"rendered":"RECEPTION OF TARAS SHEVCHENKO\u2019S KEY WORD-IMAGES IN THE POETICAL DISCOURSE OF NEOCLASSICIANS"},"content":{"rendered":" <\/p>\n

Alyona PALASH<\/strong>,
\nPhD, Junior Researcher Department of Stylistics, Language Culture and Sociolinguistics,
\nInstitute of the Ukrainian Language of the National Academy of Sciences of Ukraine;
\n4 Mykhaila Hrushevskoho St., Kyiv 01001, Ukraine;
\n\u0435-mail: palash706@gmail.com
\nORCID: https:\/\/orcid.org\/0000-0001-5283-9906<\/p>\n

Heading<\/strong>: LINGVISTIC SHEVCHENKO STUDIES
\nLanguage<\/strong>: Ukrainian<\/p>\n

Abstract<\/strong>
\nThe article investigates the specifics of representing the national picture of the world in the poetic discourse of the Kyiv Neoclassicists (M. Zerov, M. Rylsky\u0456, P. Fylypovych, M. Drai-Khmara, Yurii Klen) through the prism of their reception of Taras Shevchenko\u2019s language creativity. It is substantiated that the \u201cfivefold cluster\u201d (\u201cpiatirne hrono\u201d) achieved a qualitative paradigmatic transition from a traditional populist perception of the Kobzar to a profound intellectual interpretation, positioning the poet as the cornerstone of high culture. The study proves that key Shevchenko dominants \u2013 garden, word, Ukraine \u2013 are transformed in the Neoclassicists\u2019 discourse from mythopoetic archetypes into modern intellectual topos and categories of ontological order that resist chaos. A multifaceted vision of the artist is analyzed, revealed through the analytical distinction of three hypostases: Shevchenko \u2013 the human, Shevchenko \u2013 the poet (as the demiurge of the national Logos), and Shevchenko \u2013 the artist. It is established that for the Neoclassicists, the reception of Shevchenko\u2019s word served as an instrument for national-cultural self-identification and overcoming non-existence.
\nKey words<\/strong>: Taras Shevchenko, Neoclassicists, national picture of the world, reception, language creativity, word-image, garden, word, Ukraine.<\/p>\n

REFERENCES<\/strong>
\nBarabash, Yu.Ya., Boron, O.V., Dziuba, I.M. et al. (2008). Themes and motifs of Taras Shevchenko\u2019s poetry. Kyiv: Naukova dumka (in Ukr.).
\nFylypovych, P. (1991). Literary critical articles. Kyiv: Dnipro (in Ukr.).
\nKovaliv, Yu.I. (2000). Ukrainian poetry of the first half of the 20th century. Kyiv: Pershe veresnia (in Ukr.).
\nMalaniuk, Ye. (1997). The book of observations. Articles on literature. Kyiv: Dnipro (in Ukr.).
\nSiuta, H.M. (2017). Quotational thesaurus of the Ukrainian poetic language of the 20th century. Kyiv: KMM (in Ukr.).
\nYermolenko, S. (2019). Shevchenko\u2019s word as a linguistic sign of Ukrainian culture. Ukrainian world in scientific paradigms: collection of scientific papers, 6,<\/em> 6\u201314 (in Ukr.).<\/p>\n

LEGEND<\/strong>
\n\u0414\u0440\u0430\u0439-\u0425\u043c\u0430\u0440\u0430 \u2013 Drai-Khmara, M. (1989). Selected works. S.A. Halchenko, comp. Kyiv: Dnipro (in Ukr.).
\n\u041a\u043b\u0435\u043d \u2013 Klen, Yu. (1991). Selected works. Yu. Kovaliv, comp. & ed. Kyiv: Dnipro (in Ukr.).
\n\u0420\u0438\u043b\u044c\u0441\u044c\u043a\u0438\u0439 \u2013 Rylskyi, M.T. (1983\u20131990). Collected works: in 20 vols. Kyiv: Naukova dumka (in Ukr.).
\n\u0424\u0438\u043b\u0438\u043f\u043e\u0432\u0438\u0447 \u2013 Fylypovych, P. (1989). Poetry. Kyiv: Rad. pysmennyk (in Ukr.)
\n\u0428\u0435\u0432\u0447\u0435\u043d\u043a\u043e \u2013 Shevchenko, T. (2003). Complete collection of works: in 12 vols. Vol. 2: Poetry 1847\u20131861. Kyiv: Naukova dumka (in Ukr.).","protected":false},"excerpt":{"rendered":"

  Alyona PALASH, PhD, Junior Researcher Department of Stylistics, Language Culture and Sociolinguistics, Institute of the Ukrainian Language of the National Academy of Sciences of Ukraine; 4 Mykhaila Hrushevskoho St., Kyiv 01001, Ukraine; \u0435-mail: palash706@gmail.com ORCID: https:\/\/orcid.org\/0000-0001-5283-9906 Heading: LINGVISTIC SHEVCHENKO STUDIES Language: Ukrainian Abstract The article investigates the specifics of representing the national picture of […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":13298,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"page-doi.php","meta":{"footnotes":""},"class_list":["post-13316","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/13316","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=13316"}],"version-history":[{"count":7,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/13316\/revisions"}],"predecessor-version":[{"id":13432,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/13316\/revisions\/13432"}],"up":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/13298"}],"wp:attachment":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=13316"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}