Abstract<\/strong>: In the article the content of the concept \u201cphilosophy of Oles Honchar\u02bcs language\u201d is revealed through the characterization of the individual style of the writer and the discovery of the author\u02bcs peculiarities of his narration. Works on different subjects testify to the function of stylistem of fi lm frames as fi xation of moments of human life. According to the linguistic structure, the stylistics of the fi lm frames are reminiscent of remarks in dramatic works. They are indicative of microtext memories of past events and function as a stylistic means of approaching imaginary paintings to the reader.<\/p>\nThe prose narrative of the writer combines the form of the cinematic vision of the depicted events, the characters and the dialogic-monological form of the transfer of refl ection, lyrical digressions of philosophical content, which formulate the eternal questions of mankind. They are addressed to the narrator himself and to modern readers. Above them, the specifi c characters of the writer\u02bcs works are conceived.<\/p>\n
The author\u02bcs text is constructed as an alternation of syntactic structures with the subject he (the name of a third person) and the structures of \u201cyou-appeal\u201d \u2013 a kind of internal language in the text \u201cI-narrator\u201d). The philosophy of Oles Honchar\u02bcs speech is also realized in the symbolic meaning of the names of his works, in particular in such language and aesthetic signs as \u201cThe Coast of Love\u201d, \u201cThe Tronka\u201d, \u201cMan and weapons\u201d, \u201cCyclone\u201d, \u201cCathedral\u201d, \u201cYour star\u201d.<\/p>\n
In the narrative of O. Honchar symbolic content acquire the wordconcept of time, steppe, sky, sun, star, man, creativity, memory. In lexical-semantic and lexical-associative text fi elds these words interact lexical nominations of historical culture and nominations of the modern civilization life of mankind, which permeates the philosophy of the language of the writer, who \u201ccaught an inappropriate frame\u201d of life and perpetuated it in language.<\/p>\n
Key words<\/strong>: philosophy of Honchar\u02bcs language, stylistem of expression \u2013 film frames, stylistem-reflections, monologue-dialogic narration, conceptualization of the dictionary, symbols of the names of works, ethnoculturems.<\/p>\nREFERENCES
\n<\/strong>Honchar, O. (1980). Writing Thoughts<\/em>. Kyiv: Dnipro (in Ukr.).
\nKrymskyi, S. B. (2003). Requests for philosophical meanings. Kyiv: Parapan (in Ukr.).<\/p>\nLEGEND
\n<\/strong>\u0411\u041b \u2013 The Coast of Love (Bereh liubovi)
\n\u041b\u0456\u0417 \u2013 Man and weapons (Liudyna i zbroia)
\nT \u2013 Tronka (Tronka)
\nT\u0417 \u2013 Your star (Tvoia Zoria)
\n\u0426 \u2013 Cyclone (Tsyklon)<\/p>\n
\nIn the article the content of the concept \u201cphilosophy of Oles Honchar\u02bcs language\u201d is revealed through the characterization of the individual style of the writer and the discovery of the author\u02bcs peculiarities of his narration. Works on different subjects testify to the function of stylistem of fi lm frames as fi xation of moments of human life. According to the linguistic structure, the stylistics of the fi lm frames are reminiscent of remarks in dramatic works. They are indicative of microtext memories of past events and function as a stylistic means of approaching imaginary paintings to the reader.<\/p>\n
The prose narrative of the writer combines the form of the cinematic vision of the depicted events, the characters and the dialogic-monological form of the transfer of refl ection, lyrical digressions of philosophical content, which formulate the eternal questions of mankind. They are addressed to the narrator himself and to modern readers. Above them, the specifi c characters of the writer\u02bcs works are conceived.<\/p>\n
The author\u02bcs text is constructed as an alternation of syntactic structures with the subject he (the name of a third person) and the structures of \u201cyou-appeal\u201d \u2013 a kind of internal language in the text \u201cI-narrator\u201d). The philosophy of Oles Honchar\u02bcs speech is also realized in the symbolic meaning of the names of his works, in particular in such language and aesthetic signs as \u201cThe Coast of Love\u201d, \u201cThe Tronka\u201d, \u201cMan and weapons\u201d, \u201cCyclone\u201d, \u201cCathedral\u201d, \u201cYour star\u201d.<\/p>\n
In the narrative of O. Honchar symbolic content acquire the wordconcept of time, steppe, sky, sun, star, man, creativity, memory. In lexical-semantic and lexical-associative text fi elds these words interact lexical nominations of historical culture and nominations of the modern civilization life of mankind, which permeates the philosophy of the language of the writer, who \u201ccaught an inappropriate frame\u201d of life and perpetuated it in language.","protected":false},"excerpt":{"rendered":"
Culture of the word, 2018, \u2116 88 UDC 81\u201942 ORCID: https:\/\/orcid.org\/0000-0002-9916-4915 YERMOLENKO Svitlana Yakivna \u2013 Doctor of Philological Sciences, Professor, Corresponding Member of the National Academy of Sciences of Ukraine, Head of the Department of stylistics, language culture and sociolinguistics at the Institute of the Ukrainian Language of the National Academy of Sciences of Ukraine […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":8462,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8483","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/8483","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=8483"}],"version-history":[{"count":4,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/8483\/revisions"}],"predecessor-version":[{"id":8487,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/8483\/revisions\/8487"}],"up":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/8462"}],"wp:attachment":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=8483"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}