{"id":8524,"date":"2020-01-30T12:10:21","date_gmt":"2020-01-30T10:10:21","guid":{"rendered":"http:\/\/ks.iul-nasu.org.ua\/?page_id=8524"},"modified":"2020-01-30T12:10:21","modified_gmt":"2020-01-30T10:10:21","slug":"i-zvidty-z-synogo-neba-bilosnizhni-perla-letyat-koloronazvy-u-noveli-olesya-gonchara-zaliznyj-ostriv","status":"publish","type":"page","link":"https:\/\/ks.iul-nasu.org.ua\/en\/vypusky-zhurnalu\/2018-2\/zhurnal-kultura-slova-88\/i-zvidty-z-synogo-neba-bilosnizhni-perla-letyat-koloronazvy-u-noveli-olesya-gonchara-zaliznyj-ostriv.html","title":{"rendered":"\u201cAnd from there, from the blue sky, white pearls are flying\u2026\u201d (Names denoting colour in O. Honchar\u02bcs novel \u201cIron Island\u201d)"},"content":{"rendered":"Culture of the word, 2018, \u2116 88
\nUDC<\/strong> 81\u201938<\/p>\n

YATSENKO Nina Oleksandrivna \u2013 <\/strong>
\nCandidate of Philological Sciences, Senior Researcher of the Department of grammar and scientifi c terminology of the Institute of the Ukrainian Language of the National Academy of Sciences of Ukraine
\n4\u00a0Hrushevskyi\u00a0St.,\u00a0Kyiv\u00a001001, Ukraine
\n\u0415-mail: n.yats@ukr.net<\/p>\n

Heading<\/strong>: Word in Oles Honchar\u02bcs fiction
\nLanguage<\/strong>: Ukrainian<\/p>\n

Abstract<\/strong>: The article is devoted to the consideration of the semantic and figurative possibilities of names denoting colours in the novel \u00abIron Island\u00bb written by Oles Honchar. It is found out that contrast is the main compositional method on which the novel is based. Confronting the immortal beauty of nature, the life and the unnaturalness of the steel island, the old rusty ship transmits artistic definitions blue (\u0441\u0438\u043d\u0456\u0439<\/em>); steel (\u0441\u0442\u0430\u043b\u0435\u0432\u0438\u0439<\/em>).The names denoting colours reproduce primarily the individual author\u02bcs picture of the world, for this such components serve: 1) the aesthetic orientation of color vocabulary use, which enhances the expressiveness of the description of the artistic space; 2) combining in one statement such names, which have visually fixed opposing semantic plans or enter into context-related opposing relations; 3) use along with color a particle \u0430\u0436<\/em>; 4) modeling on the basis of color palettes of the epithets, comparisons, metaphors, metonymy etc., which represent the figurative structure of the colored paradigm of O. Honchar\u02bcs style. The names denoting colour are one of the markers of O. Honchar\u02bcs style. They are represented by various grammatical forms (adjectives, nouns, verbs, participles). Adjectives black<\/em>, gray<\/em>, white<\/em>, red<\/em> are used with names denoting fauna and flora (gray fl ies<\/em>, white gull<\/em>, red algae etc<\/em>.). The meaning of blue <\/em>(\u0441\u0438\u043d\u0456\u0439<\/em>) is the most frequent characteristic of the sky, expanse. The synonymous name is bluish<\/em> (\u0441\u0438\u043d\u044f\u0432\u0430<\/em>), (\u02bbblue space of the sea, blue surface (about the sky, the sea)\u02bc \u2013 \u0421\u0423\u041c IX: 191): blue sea<\/em>; bluish silence<\/em>; boundless<\/em>, sapphire bluish<\/em>). The use of blue<\/em> is dominant in writer\u02bcs the language palette.<\/p>\n

We support the opinion of N. M. Solohub, a researcher of O. Honchar\u02bcs language, that \u00abWays of enriching native language expressiveness are different, multidimensional. A significant role among them belongs to the use of vocabulary denoting colours\u00bb.<\/p>\n

Key words: <\/strong>idiostyle, coloronomen, contrast, semantics, grammatical form, literary determination, imaginative structure, fauno- and fl oronomena, master.<\/p>\n

REFERENCES<\/strong><\/p>\n

    \n
  1. Honchar, O. (1963). Tronka: Novel in short stories. <\/em>Kyiv (in Ukr.)<\/li>\n
  2. Donchyk, V. H. (1987). Ukrainian Soviet novel. Movement of ideas and forms. Kyiv (in Ukr.)<\/li>\n
  3. Zhulynskyi, M. (2011). Ukrainian literature: creators and works: students, students, teachers. Kyiv (in Ukr.)<\/li>\n
  4. \u0421\u0423\u041c 1970 \u2013 1980 \u2013 Dictionary of the Ukrainian language (11 vol.). (1970 \u2013 1980). Kyiv: Naukova dumka (in Ukr.)<\/li>\n
  5. Solohub, N. M. (1991). Language World of Oles Honchar. Kyiv (in Ukr.)<\/li>\n<\/ol>","protected":false},"excerpt":{"rendered":"

    Culture of the word, 2018, \u2116 88 UDC 81\u201938 YATSENKO Nina Oleksandrivna \u2013 Candidate of Philological Sciences, Senior Researcher of the Department of grammar and scientifi c terminology of the Institute of the Ukrainian Language of the National Academy of Sciences of Ukraine 4\u00a0Hrushevskyi\u00a0St.,\u00a0Kyiv\u00a001001, Ukraine \u0415-mail: n.yats@ukr.net Heading: Word in Oles Honchar\u02bcs fiction Language: Ukrainian […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":8462,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8524","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/8524","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=8524"}],"version-history":[{"count":1,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/8524\/revisions"}],"predecessor-version":[{"id":8525,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/8524\/revisions\/8525"}],"up":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/8462"}],"wp:attachment":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=8524"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}