{"id":8892,"date":"2020-07-17T02:40:06","date_gmt":"2020-07-16T23:40:06","guid":{"rendered":"http:\/\/ks.iul-nasu.org.ua\/?page_id=8892"},"modified":"2020-07-17T04:39:16","modified_gmt":"2020-07-17T01:39:16","slug":"shevchenkovi-viziyi-omriyanogo-rayu-ukrayiny-virsh-i-dosi-snytsya-pid-goroyu","status":"publish","type":"page","link":"https:\/\/ks.iul-nasu.org.ua\/en\/vypusky-zhurnalu\/2018-2\/zbirnyk-kultura-slova-89-2018\/shevchenkovi-viziyi-omriyanogo-rayu-ukrayiny-virsh-i-dosi-snytsya-pid-goroyu.html","title":{"rendered":"SHEVCHENKO\u2019S VISIONS OF UKRAINE\u2019S DREAM HEAVEN: THE POEM \u201cSTILL DREAMING: AT THE MOUNTAIN\u201d"},"content":{"rendered":"<strong>Culture of the word, 2018, \u2116 89<br \/>\n<\/strong>UDC 821.161.2-108 \u0428\u0435\u0432\u0447\u0435\u043d\u043a\u043e<\/p>\n<p>https:\/\/orcid.org\/ 0000-0003-0503-2637<\/p>\n<p>&nbsp;<\/p>\n<p>Mykola FILON,<\/p>\n<p>Candidate of Philological Sciences, Head of the Ukrainian Language Department V.\u00a0N.\u00a0Karazin Kharkiv National University<\/p>\n<p>\u0415-mail: m.filon@karazin.ua<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><strong>Heading: <\/strong>Word in fiction<br \/>\n<strong>Language: <\/strong>Ukrainian<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Abstract:<\/strong> The basis of the idea-sense organisation and genre-stylistic integrity of Shevchenko\u2019s text is the idea-artistic conceptualisation of reality in terms of a dream that determines the interaction of the possible and the wished, the imaginary and the real. To decode Shevchenko\u2019s poetry one is to consider the author\u2019s poetic vocabulary units which are connected with the corresponding names and, eventually, the facts of Ukrainian life \u2013 cultural landscape, nature, family values etc.<\/p>\n<p>The text accentuates the lyric character\u2019s constant return to the dream that is peculiar in its content. The repetition and endurance of the dream as a factor of fixation and hold of Ukraine\u2019s virtual image are gained by several uses of the adverb \u0434\u043e\u0441\u0456, which points out the processual features of the worldview, highlights its lasting inviolability and motionlessness while signaling the extremely expressive subjective modality of the poetic text.<\/p>\n<p>The beginning of the work contains the key formants of the author\u2019s poetic vocabulary, among them <em>\u0432\u0435\u0440\u0431\u0430, \u0433\u043e\u0440\u0430, \u0432\u043e\u0434\u0430, \u0445\u0430\u0442\u0430, \u0434\u0456\u0434<\/em>. These topoi-symbols of Shevchenko\u2019s universe are as well characteristic of general national, folk and conceptual worldviews. In the semantic space of symbolic world image, they demonstrate not just their \u201clandscape\u201d but also ceremonial, folk and mythological symbolism of semantics.<\/p>\n<p>In the coordinates of T. Shevchenko\u2019s universe, the dying, suffering, declining, ruined Ukraine is depicted in the images of the unhappy Ukrainian family that breaks up, the ties between different generations ruined and lost. In the analysed poem, the opposite is observed: harmonious life of an entire Ukrainian family. Its ancestral endurance is marked by means of three image words that represent different generations.<\/p>\n<p>Shevchenko\u2019s poetry contains sacred text\u2013the prayer \u201cOur Father\u201d. Its functional and sense-generating significance is determined by the way the Ukrainian prophet understands the essence of salvation. It is not the Eschatological perspective of salvation ending in eternal life in a better world that is important for Shevchenko, but living in Christ in this world. Salvation \u2013as completeness and integrity of living in harmony, faith and love.<\/p>\n<p><strong>Key words<\/strong>: <em>Shevchenko,<\/em> <em>poetry,<\/em> <em>author,<\/em> <em>text,<\/em> <em>image,<\/em> <em>symbol,<\/em> <em>semantics,<\/em> <em>intention<\/em><em>.<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><strong>REFERENCES<\/strong><\/p>\n<p>Kurtsius, E. R. (2007). Yevropeiska literature I latynske seredniovichchia [European Literature and Latin Middle Ages]. Lviv: Litopys,116\u2013 118 (in Ukr.).<\/p>\n<p>Nepomniashchyi, V.S.(2001). Da vedaiut potomki pravoslavnykh. Pushkin. Rossia. My [Let the Descendants of the Orthodox Know. Pushkin. Russia.We]. Moscow: Sestrichestvo vo imia prepodobnomuchenitsy Velikoi Kniagini Yelizaviety, 49.URL:http:\/\/lib.pravmir.ru\/library\/ebook\/434\/epub<\/p>\n<p>Pliushch, L. (1979). \u201cPrychynna\u201d i deiaki problemy filosofii Shevchenka [\u201cPrychynna\u201dandSomeProblemsofShevchenko\u2019sPhilosophy]. <em>Suchasnist<\/em><em>,3,<\/em>8\u201329 (in Ukr.).<\/p>\n<p>SUM \u2013 Slovnyk ukrainskoi movy: v 11 t. Red. kol. I. K. Bilodid ta in. [Ukrainian Dictionary: in 11 volumes. Editors: I. K. Bilodid and others]. (1971). Vol. 2. G \u2013 Zh. 550 pp. Kyiv: Naukova dumka (in Ukr.).<\/p>\n<p>SUM \u2013 Slovnyk ukrainskoi movy: v 11 t. Red. kol. I. K. Bilodid ta in. [Ukrainian Dictionary: in 11 vol. Editors: I. K. Bilodid and others]. (1971). Vol. 5. N \u2013 O. Kyiv: Naukova dumka (in Ukr.).<\/p>\n<p>Shevchenko, T. H. (2001). Poeziia1847 \u2013 1861 [Poetry of 1847 \u2013 1861].In <em>Povne zibrannia tvoriv: u 12 t. [Full collection of works: in 12 volumes]<\/em>. Kyiv: Naukova dumka (in Ukr.).<\/p>\n<p>Shnakenburh, R. (2005). Etychne poslannia Novoho Zavitu [The Ethical Message of the New Tastament]. Kyiv: Dukh i Litera (in Ukr.).<\/p>\n<p>Shupta-Viazovska, O. I. (2016). I dosi snytisia: pid horoiu [Still Dreaming: at the Mountain]. In <em>Shevchenkivska entsyklopediia: Literaturni tvory [Shevchenko Encyclopedia: Literary Works]. <\/em>Kyiv: Imeks-LTD, 202\u2013205 (in Ukr.).","protected":false},"excerpt":{"rendered":"<p>Culture of the word, 2018, \u2116 89 UDC 821.161.2-108 \u0428\u0435\u0432\u0447\u0435\u043d\u043a\u043e https:\/\/orcid.org\/ 0000-0003-0503-2637 &nbsp; Mykola FILON, Candidate of Philological Sciences, Head of the Ukrainian Language Department V.\u00a0N.\u00a0Karazin Kharkiv National University \u0415-mail: m.filon@karazin.ua &nbsp; Heading: Word in fiction Language: Ukrainian &nbsp; Abstract: The basis of the idea-sense organisation and genre-stylistic integrity of Shevchenko\u2019s text is the idea-artistic [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":8856,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8892","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/8892","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=8892"}],"version-history":[{"count":6,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/8892\/revisions"}],"predecessor-version":[{"id":8980,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/8892\/revisions\/8980"}],"up":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/8856"}],"wp:attachment":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=8892"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}