{"id":9066,"date":"2020-08-11T00:00:48","date_gmt":"2020-08-10T21:00:48","guid":{"rendered":"http:\/\/ks.iul-nasu.org.ua\/?page_id=9066"},"modified":"2020-08-11T12:29:58","modified_gmt":"2020-08-11T09:29:58","slug":"anotatsiya-movnostylistychni-zasoby-liryzmu-v-novelah-olesya-gonchara","status":"publish","type":"page","link":"https:\/\/ks.iul-nasu.org.ua\/en\/vypusky-zhurnalu\/2018-2\/zhurnal-kultura-slova-88\/anotatsiya-movnostylistychni-zasoby-liryzmu-v-novelah-olesya-gonchara.html","title":{"rendered":"Abstracts: Lingvo stylistic means of lyricism in the short stories by Oles Honchar"},"content":{"rendered":"Culture of the word, 2018, \u2116 88
\nUDC<\/strong> 811.161.2\u201938+821.161.2\u201906-32\u0413\u043e\u043d\u0447\u0430\u0440.08<\/p>\n

DANYLIUK Nina Oleksiivna \u2013
\n<\/strong>Doctor of Philology, full time professor of the department of the Ukrainian language of the Lesya Ukrainka Eastern European National University
\n13 Voli St., Lutsk, 43025, Ukraine
\n\u0415-mail: danyluk@eenu.edu.ua<\/p>\n

Heading<\/strong>: Word in Oles Honchar\u02bcs fiction
\nLanguage<\/strong>: Ukrainian<\/p>\n

Abstract<\/strong>: The article deals with the studies of the lingvostylistic means of lyricism in the O. Honchar\u02bcs novels. Lyricism<\/em> as a stylistic feature of poetic as well as prosaic works by the writer is realized through the esthetic perception of the reality, by the emotional experience of events and phenomena that are reflected in the lingvostylistic means.<\/p>\n

Means of lyricism in the short stories by O. Honchar are analyzed according to the three sections of the lingvo-artistic world that were suggested by S. Yermolenko: 1) a time section of an everyday culture, that is a technical, humanitarian vocabulary of a certain epoch; 2) a psychological, intellectual section that reflects a category of evaluation; 3) a section of imaginary communication with the reader. A time section is represented by the language units, which describe the war and postwar realities in Ukraine as well as outside its borders: proper and common terms, that mark the areas of war events or peace work: \u0427\u0435\u0441\u044c\u043a\u043e\u0421\u043b\u043e\u0432\u0435\u043d\u0441\u044c\u043a\u0430 \u0440\u0435\u0441\u043f\u0443\u0431\u043b\u0456\u043a\u0430, \u0415\u0441\u0442\u043e\u043d\u0441\u044c\u043a\u0430 \u0440\u0435\u0441\u043f\u0443\u0431\u043b\u0456\u043a\u0430, \u0423\u0433\u043e\u0440\u0449\u0438\u043d\u0430, \u041c\u043e\u0440\u0430\u0432\u0430, \u0412\u0435\u0440\u0445\u043e\u0432\u0438\u043d\u0430, \u0412\u0456\u0441\u043b\u0430, \u0427\u0430\u0440\u0438-\u043a\u043e\u043c\u0438\u0448\u0456, \u041f\u0440\u0430\u0433\u0430, \u0411\u0443\u0434\u0430\u043f\u0435\u0448\u0442, \u0423\u043a\u0440\u0430\u0457\u043d\u0441\u044c\u043a\u0438\u0439 \u0444\u0440\u043e\u043d\u0442; \u043b\u0456\u0441, \u0431\u043e\u043b\u043e\u0442\u043e, \u0441\u0442\u0435\u043f, \u043a\u043e\u0441\u0430, \u0431\u0435\u0440\u0435\u0433, \u0434\u043e\u0440\u043e\u0433\u0430, \u0445\u0430\u0442\u0430; \u043d\u0456\u0447, \u0434\u0435\u043d\u044c, \u0440\u0430\u043d\u043e\u043a, \u0432\u0435\u0447\u0456\u0440, \u0432\u0435\u0441\u043d\u0430, \u043e\u0441\u0456\u043d\u044c <\/em>etc. The following terms help to create a realistic picture of war horrors: \u0431\u0430\u0442\u0430\u0440\u0435\u044f \u0431\u0443\u043d\u043a\u0435\u0440, \u043f\u0456\u0445\u043e\u0442\u0430, \u0430\u0440\u0442\u0438\u043b\u0435\u0440\u0456\u044f, \u043c\u0456\u043d\u043e\u043c\u0435\u0442, \u0430\u0432\u0442\u043e\u043c\u0430\u0442, \u0431\u043e\u0454\u043f\u0440\u0438\u043f\u0430\u0441\u0438, \u0441\u0442\u0430\u0440\u0448\u0438\u043d\u0430, \u043f\u0435\u0440\u0435\u0434\u043e\u0432\u0430, \u043e\u0441\u043a\u043e\u043b\u043e\u043a, \u0440\u0430\u043d\u0430, \u0431\u0438\u043d\u0442\u0438, \u0445\u0430\u043b\u0430\u0442, \u043f\u0430\u0440\u0442\u0438\u0437\u0430\u043d\u0438, \u0440\u0430\u0446\u0456\u044f, \u0433\u0440\u0443\u0437\u043e\u0432\u0438\u043a, \u043c\u0430\u0440\u0448, \u0441\u043e\u043b\u0434\u0430\u0442\u0438, \u043f\u0440\u0438\u0432\u0430\u043b, \u043a\u043e\u043c\u0430\u043d\u0434\u0438\u0440, \u0434\u0435\u0437\u0435\u0440\u0442\u0438\u0440, \u0431\u0430\u0442\u0430\u043b\u044c\u0439\u043e\u043d, \u0431\u043e\u0454\u0446\u044c <\/em>etc. The following terms and word combinations are used to describe the post-war regeneration and they are connected with the rebirth of a collective farm village: \u0431\u0456\u043b\u0456 \u0431\u0443\u0434\u0438\u043d\u043e\u0447\u043a\u0438<\/em>, \u043a\u0443\u0437\u043d\u0456, \u043c\u0430\u0439\u0441\u0442\u0435\u0440\u043d\u0456, \u0441\u043e\u043a\u0438\u0440\u0438, \u0440\u0443\u0431\u0430\u043d\u043a\u0438, \u043c\u043e\u043b\u043e\u0442\u043a\u0438, \u043a\u043e\u043b\u0433\u043e\u0441\u043f\u043d\u0438\u043a\u0438, \u0442\u0440\u0430\u043a\u0442\u043e\u0440\u0438\u0441\u0442\u043a\u0430, \u043c\u0430\u0439\u0441\u0442\u0435\u0440, \u0433\u043e\u043b\u043e\u0432\u0430, \u0430\u0440\u0442\u0456\u043b\u044c, \u0440\u0438\u0431\u043e\u043b\u043e\u0432\u0435\u0446\u044c\u043a\u0430 \u0431\u0440\u0438\u0433\u0430\u0434\u0430, \u043a\u043b\u0443\u0431, \u041c\u0422\u0421 <\/em>etc. There are a lot of terms that are connected with the rebuilding of towns, factories and education institutions: \u0414\u043d\u0456\u043f\u0440\u043e\u0433\u0435\u0441, \u0442\u0443\u0440\u0431\u0456\u043d\u0430, \u0433\u0440\u0435\u0431\u043b\u044f, \u0441\u0442\u0430\u043d\u0446\u0456\u044f, \u0437\u0430\u0432\u043e\u0434, \u0446\u0435\u0445, \u0442\u0440\u0430\u0441\u0430, \u043b\u0456\u0441\u043e\u0441\u043f\u043b\u0430\u0432; \u043c\u0435\u0434\u0438\u0446\u0438\u043d\u0441\u044c\u043a\u0430 \u0430\u043a\u0430\u0434\u0435\u043c\u0456\u044f, \u0456\u043d\u0441\u0442\u0438\u0442\u0443\u0442, \u0434\u043e\u0446\u0435\u043d\u0442, \u0441\u0442\u0443\u0434\u0435\u043d\u0442\u043a\u0438, \u043a\u0430\u0444\u0435\u0434\u0440\u0430, \u043f\u0456\u043e\u043d\u0435\u0440 <\/em>etc.<\/p>\n

The author was able to create complete lyrical descriptions of the environment, that are saturated with the names of nature (\u043d\u0435\u0431\u043e,<\/em> \u0441\u0445\u0456\u0434, \u0437\u0456\u0440\u043d\u0438\u0446\u0456, \u0432\u043e\u0433\u043e\u043d\u044c, \u043f\u0442\u0430\u0445\u0438, \u043a\u043e\u043d\u0456, \u0433\u043e\u0440\u0438, \u0434\u043e\u043b\u0438\u043d\u0430, \u043b\u0456\u0441, \u0440\u0456\u043a\u0430, \u043a\u043e\u043c\u0438\u0448\u0456 <\/em>etc.), artistic notations, metaphorical-personifi cations that are inspired by the presence of human beings. The novels are full of linguistic images of young girls that are presented with love and affection: \u0441\u043b\u043e\u0432\u0430\u0447\u043a\u0438 \u0422\u0435\u0440\u0435\u0437\u0438 <\/em>(\u00ab\u041c\u043e\u0434\u0440\u0438 \u041a\u0430\u043c\u0435\u043d\u044c\u00bb), \u043b\u0430\u0442\u0432\u0456\u0439\u043a\u0438 \u041c\u0430\u0440\u0442\u0438 <\/em>(\u00ab\u0423\u0441\u043c\u0430\u043d \u0442\u0430 \u041c\u0430\u0440\u0442\u0430\u00bb), \u0443\u0433\u043e\u0440\u043a\u0438 \u041b\u0430\u0440\u0438\u0441\u0438 <\/em>(\u00ab\u0417\u0430 \u043c\u0438\u0442\u044c \u0449\u0430\u0441\u0442\u044f\u00bb), \u0441\u0442\u0435\u043f\u043e\u0432\u0438\u0447\u043a\u0438 \u041e\u043a\u0441\u0430\u043d\u0438 <\/em>(\u00ab\u0416\u0430\u0439\u0432\u043e\u0440\u043e\u043d\u043e\u043a\u00bb), \u0433\u043e\u0440\u044f\u043d\u043a\u0438 \u041c\u0430\u0448\u0456 <\/em>(\u00ab\u041c\u0430\u0448\u0430 \u0437 \u0412\u0435\u0440\u0445\u043e\u0432\u0438\u043d\u0438\u00bb), \u043f\u0435\u0440\u0435\u0434\u043e\u0432\u0438\u0447\u043a\u0438 \u041c\u0435\u043b\u0430\u043d\u0456\u0457 <\/em>(\u00ab\u0421\u043e\u043d\u044f\u0448\u043d\u0438\u043d\u0438\u00bb), \u0434\u043e\u043d\u044c\u043a\u0438 \u043b\u0456\u0441\u043d\u0438\u043a\u0430 \u041d\u0430\u0442\u0435\u043b\u043b\u0438 <\/em>(\u00ab\u0414\u043e\u0440\u043e\u0433\u0430 \u0437\u0430 \u0445\u043c\u0430\u0440\u0438\u00bb), \u0432\u0438\u043f\u0443\u0441\u043a\u043d\u0438\u0446\u0456 \u0431\u0456\u043e\u0444\u0430\u043a\u0443 \u041e\u043b\u044c\u0433\u0438 <\/em>(\u00ab\u041d\u0430 \u043a\u043e\u0441\u0456\u00bb), \u043c\u0435\u0434\u0441\u0435\u0441\u0442\u0440\u0438 \u041b\u0456\u0434\u0438 <\/em>(\u00ab\u0417 \u0442\u0438\u0445 \u043d\u043e\u0447\u0435\u0439\u00bb).<\/p>\n

Psychological and intellectual section of the story is presented with the philosophical meditations of the author about people\u02bcs highest emotions, sense of life and work, about attitude towards nature, towards native language, towards the cultural achievements as a nation. Despite the war horrors and difficult post-war life, the hearts of the lyrical heroes are open for love, that is skilfully described by the author in many novels. A section of the imaginary communication with the reader is represented by monologues and dialogic thinking of the lyric heroes.<\/p>\n

So, the lyricism and psychological intensity are achieved with the help of the following lingvostylistic means as: artistic epithets, close resemblance, metaphorical personifications, paraphrases, traditional and updated phraseological units, author\u02bcs aphorisms, thrilled monologues and dialogues, different types of repetitions, homogenous parts of the sentence, rhythmic syntactic constructions, etc. that form the aesthetic ideal language of literature.<\/p>\n

Key words:<\/strong> lingvostylistic means of lyricism, linguistic image of a person, linguistic map of the nature, epithet, comparison, metaphorical personifications, phraseological unit, monologue, dialogue, paraphrase, syntactic construction, repetition, aphorism, rhythmization.<\/p>\n

REFERENCES<\/strong><\/p>\n

    \n
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  4. Honchar, O. (1975). Chary-Comyshi: short stories. Kyiv (in Ukr.)<\/li>\n
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  8. Shcherbachuk, L. F. (2000). General language and individualauthorial phraseology in artistic texts (based on the works of O. Honchar): author\u02bcs abstract. dis for obtaining sciences. Degree Candidate fi lol sciences. Dnipropetrovsk (in Ukr.)<\/li>\n
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  11. Yermolenko. S. Ya. (1998). Creativity of Oles Honchar and the language and aesthetic culture of his contemporary. Dyvoslovo, 7<\/em>, 11 \u2013 13 (in Ukr.)<\/li>\n<\/ol>","protected":false},"excerpt":{"rendered":"

    Culture of the word, 2018, \u2116 88 UDC 811.161.2\u201938+821.161.2\u201906-32\u0413\u043e\u043d\u0447\u0430\u0440.08 DANYLIUK Nina Oleksiivna \u2013 Doctor of Philology, full time professor of the department of the Ukrainian language of the Lesya Ukrainka Eastern European National University 13 Voli St., Lutsk, 43025, Ukraine \u0415-mail: danyluk@eenu.edu.ua Heading: Word in Oles Honchar\u02bcs fiction Language: Ukrainian Abstract: The article deals with […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":8462,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/9066"}],"collection":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=9066"}],"version-history":[{"count":2,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/9066\/revisions"}],"predecessor-version":[{"id":9094,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/9066\/revisions\/9094"}],"up":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/8462"}],"wp:attachment":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=9066"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}