{"id":9968,"date":"2021-02-02T10:41:10","date_gmt":"2021-02-02T08:41:10","guid":{"rendered":"http:\/\/ks.iul-nasu.org.ua\/?page_id=9968"},"modified":"2021-02-02T11:59:42","modified_gmt":"2021-02-02T09:59:42","slug":"lingvosofiya-rabstva-svobody-u-drami-lesi-ukrayinky-v-katakombah","status":"publish","type":"page","link":"https:\/\/ks.iul-nasu.org.ua\/en\/vypusky-zhurnalu\/2020-2\/zbirnyk-kultura-slova-93-2020\/lingvosofiya-rabstva-svobody-u-drami-lesi-ukrayinky-v-katakombah.html","title":{"rendered":"LINGUOSOPHY \u201cSLAVERY \u2013 FREEDOM\u201d IN DRAMA OF LESIA UKRAINKA \u201cIN THE CATACOMBS\u201d"},"content":{"rendered":"Svitlana BYBYK,<br \/>\nDoctor of Philology, Professor, Leading researcher of the Department of Stylistics, Culture of the Language and Sociolinguistics Institute of the Ukrainian Language of National Academy of Sciences of Ukraine, 4 Hrushevskyi St., Kyiv 01001, Ukraine<\/p>\n<p>\u0415-mail: sbybyk2016@ukr.net<br \/>\nORCID: https:\/\/orcid.org\/0000-0002-9765-497X<\/p>\n<p>Heading: To the 150-th anniversary of the birthday of Lesia Ukrainka<br \/>\nLanguage: Ukrainian<\/p>\n<p>Abstract<br \/>\nThe article offers a stylistic analysis of Lesia Ukrainka\u2019s drama \u201cIn the Catacombs\u201d. The basis of the research methodology is the linguosophical approach, ie the projection of the topic \u2013 the main idea \u2013 issues, features of social and ideological conflicts on the linguistic basis of the work. Emphasis is placed on the lexical and grammatical manifestations of the interaction of rhetoric of \u201chigh\u201d, \u201cneutral\u201d and \u201clow\u201d registers for the advantages of the first two. In this regard, communication with theological, evangelical and everyday topics is differentiated.<br \/>\nEmphasis is placed on the stylistics of the antithesis, the symbolism of the text, the textual interpretation of precedent names. It is established that the first helps to stylize the debatability, polylogical communication of the characters, the second \u2013 to express the philosophy of the boundaries of earthly and spiritual being. It is emphasized that the interpretation of precedent phenomena in Lesia Ukrainka corresponds to the author\u2019s strategy of expressing the socio-political position of the intellectual in imperial Russia of the late XIX \u2013 early XX centuries.<br \/>\nChanges in the textual semantics of the tokens slave, will have been traced.<br \/>\nIt is noted on the role of the text of the drama \u201cIn the Catacombs\u201d in the development of the literary Ukrainian literary language as a means of glorifying the ability of the Ukrainian nation to compete.<\/p>\n<p>Keywords: language of poetry, linguosophy of the work, key word, communication, rhetoric, symbol, antithesis.<\/p>\n<p>REFERENCES<br \/>\n1.\tVisych, O. (2012). Non-finito in the drama of Lesia Ukrainka. Word and time, 2, 9\u201315 (in Ukr.).<br \/>\n2.\tKuz\u2019ma, O. (2013). The problem of freedom in Lesia Ukrainka\u2019s drama \u201cIn the Catacombs\u201d. URL: file:\/\/\/C:\/Users\/Sweta\/Downloads\/spml_2013_18_ 21%20(1).pdf (last appeal: 20.11.2020) (in Ukr.).<br \/>\n3.\tMoklytsya, M. V. (2001). Pro et contra Christianity (drama by Lesia Ukrainka). Word and time, 6, 21\u201328 (in Ukr.).<br \/>\n4.\tMoroz, L. (1995). Lesya Ukrainka and Christianity. Divoslovo, 2, 4\u201310 (in Ukr.).<br \/>\n5.\tMukoyid R. (2014). The desire for freedom in the drama of Lesia Ukrainka. About Ukrainian law, VIII, 138\u2013144 (in Ukr.).<br \/>\n6.\tBilodid, I. K., ed. (1970\u20131980). Dictionary of the Ukrainian language: in 11 vols. Kyiv: Naukova Dumka (in Ukr.).<br \/>\n7.\tBilonozhenko, V. M. and others (2003). Dictionary of phraseology of the Ukrainian language. Resp. ed. V. O. Vynnyk. Kyiv: Naukova Dumka (in Ukr.).<br \/>\n8.\tKhorob, S. (2004). Neoromantic concept of \u201cwill\u201d in the drama of Lesia Ukrainka. Bulletin of Lviv University, 35, 257\u2013265 (in Ukr.).<br \/>\n9.\tSheynyna, E. Ya. (2003). Encyclopedia of symbols. Moscow: AST Publishing House LLC; Kharkiv: Torsing (in Rus.).<br \/>\n10.\tYatsenko, N. M. (1983). The problem of individual freedom in the early dramatic works of Lesia Ukrainka. Soviet literary criticism, 3, 57\u201364 (in Ukr.).","protected":false},"excerpt":{"rendered":"<p>Svitlana BYBYK, Doctor of Philology, Professor, Leading researcher of the Department of Stylistics, Culture of the Language and Sociolinguistics Institute of the Ukrainian Language of National Academy of Sciences of Ukraine, 4 Hrushevskyi St., Kyiv 01001, Ukraine \u0415-mail: sbybyk2016@ukr.net ORCID: https:\/\/orcid.org\/0000-0002-9765-497X Heading: To the 150-th anniversary of the birthday of Lesia Ukrainka Language: Ukrainian Abstract [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":9931,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-doi.php","meta":[],"_links":{"self":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/9968"}],"collection":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=9968"}],"version-history":[{"count":4,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/9968\/revisions"}],"predecessor-version":[{"id":10041,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/9968\/revisions\/10041"}],"up":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/9931"}],"wp:attachment":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=9968"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}