\u0415-mail: nataliaholikova62@gmail.com
\nORCID: https:\/\/orcid.org\/0000-0003-4157-1275<\/p>\n
Heading: To the 150-th anniversary of the birthday of Lesia Ukrainka
\nLanguage: Ukrainian<\/p>\n
Abstract
\nThe article examines the functional and stylistic features of the linguocultureme of \u201csong\u201d in the idiolect of Lesia Ukrainka. It is emphasized that in the analyzed poetic discourse the word \u201csong\u201d is a key, stylistically marked component, which testifies to the relevance of semantics in the field of Ukrainian song and music culture. The branched semantic structure of the keyword in the language of various genres of poetic works of the writer, which consists of common and contextually determined lexical-semantic variants, is traced. The specificity of the symbolic meanings of the keyword \u201csong\u201d is substantiated, the basis for which are often folk poetic sources. Lexical-thematic lines with a dominant \u201csong\u201d are determined, which provide semantic coherence of poems in the vertical context of Lesia Ukrainka\u2019s language creation. Among the main representatives of the textual integrity of the studied poetic and dramatic works such semantic-thematic oppositions and associative convergences as: \u201cword\u201d \u2013 \u201cmusic\u201d are actualized; \u201cwill\u201d \u2013 \u201cbondage\u201d; \u201cnative land\u201d \u2013 \u201cforeign land\u201d; \u201cword\u201d, \u201cpoetry\u201d, \u201ccreativity\u201d; \u201csong\u201d, \u201cthought\u201d; \u201cbrotherhood\u201d, \u201cequality\u201d, \u201cwill\u201d; \u201coptimism\u201d, \u201chope\u201d; \u201csong\u201d, \u201cdream\u201d, \u201cfantasy\u201d, \u201cdream\u201d, etc. The semantic-associative field is structured and described, the center of which is the token \u201csong\u201d and derivations related to it. Linguocultureme \u00absong\u00bb is analyzed as one of the key tectocentric components of the linguocognitive space of language creation of Lesia Ukrainka, which reflects the basic principles of organization of the national linguistic and cultural universe in general and its verbal and musical sphere in particular.<\/p>\n
Keywords: song, key words, style word, linguocultureme, semantic structure of the word.<\/p>\n
REFERENCES
\n1.\tVezhbickaja, A. (1999). Understanding cultures through keywords. Per. s angl. A. D. Shmeleva pod red. T. V. Bulyginoj. Moskva: Jazyki russkoj kul\u2019tury (in Rus.).
\n2.\tDrach, I. F. (1983). A word about Lesya. Spiritual Sword: Literary Critical Articles and Essays. \u0420. 65\u201374. Kyiv: Rad. Pysmennyk (in Ukr.).
\n3.\tKononenko, Ye. (1999). Singing soul of Ukraine (Marus\u0456a Churai, Les\u0456a Ukrainka, Lina Kostenko). Heroes and celebrities in Ukrainian culture. Red. O. Hrytsenko. \u0420. 234\u2013248. Kyiv: UTsKD (in Ukr.).
\n4.\tTovtyn, N. M. The inseparable connection of Lesya Ukrainka’s life and work with music. URL: http:\/\/tovtin.blogpost.com\/2014\/12\/blog-post_17.htm (date of application 25.10.2020) (in Ukr.).
\n5.\tUkrainka Lesia (1986). Works: In 2 vols. Vol. 1: Poetic works; Dramatic works. Kyiv: Naukova dumka (in Ukr.).<\/p>\n
LEGEND
\nSUM \u2013 Dictionary of the Ukrainian Language (11 vol.) (1970\u20131980). Kyiv: Naukova dumka (in Ukr.).","protected":false},"excerpt":{"rendered":"
Nataliia HOLIKOVA, Doctor of Philology, Prof., Oles Honchar Dniprovsk National University; 72 Gagarin Ave., Dnipro 49010, Ukraine \u0415-mail: nataliaholikova62@gmail.com ORCID: https:\/\/orcid.org\/0000-0003-4157-1275 Heading: To the 150-th anniversary of the birthday of Lesia Ukrainka Language: Ukrainian Abstract The article examines the functional and stylistic features of the linguocultureme of \u201csong\u201d in the idiolect of Lesia Ukrainka. It […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":9931,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-doi.php","meta":[],"_links":{"self":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/9974"}],"collection":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=9974"}],"version-history":[{"count":5,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/9974\/revisions"}],"predecessor-version":[{"id":10040,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/9974\/revisions\/10040"}],"up":[{"embeddable":true,"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/9931"}],"wp:attachment":[{"href":"https:\/\/ks.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=9974"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}