» Journal Issues » 2019 » Journal Culture Of The Word - №90 » Ukrainian poetic generations second half of XX century: language-aesthetic analysis

Ukrainian poetic generations second half of XX century: language-aesthetic analysis

Culture of the word, 2019, № 90
UDC 811.161.2: 801.631.5

Hanna DIADCHENKO,
Candidate of Philological Sciences, Department of Language Training for Foreign Citizens, Sumy State University, 2 Rymskoho-Korsakova St., Sumy 40007, Ukraine
Е-mail: h.dyadchenko@drl.sumdu.edu.ua
https://orcid.org/0000-0001-5325-1434

Heading: Theoretical stylistics
Language: Ukrainian

Abstract: In the article chronological as well as lingual and aesthetical stratification of the Ukrainian poetry at the end of the ХХ century is observed. With the aim of revealing of the traditional and individual features correlation the notion of the poetic generation is used. The author of the article gives the analyses of the lingual creative activity of the literary generations at the end of the ХХ century such as man of the sixties, seventies, eighties and nineties. It is stressed that the dominant creative principals of the Ukrainian poetry of the period observed are lingual and expressive freedom, indifference towards politics, inequality of the aesthetic programs, stylistic eccentricity, imaginative and aesthetic relativity, creative deconstruction, irony, “antipoetry”, tend to the complicated metaphorics, contiguity, intertextuality. As a result, the poetic creative activity at the end of the XX century is defined as an original, ingenious phenomenon which differs greatly from the national lingual and aesthetic tradition.

Keywords: poetic generation, man of sixties, seventies, eighties, nineties, lingual thought, poetic vocabulary, the author’s imagery, postmodernism, individual style.

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