KHARKIV: ONIM AND IMAGE IN UKRAINIAN POETRY

Olesia TIELIEZHKINA ,
Doctor of Philologicy, Associate Professor, Associate Professor of the Department of Language Training, Pedagogy and Psychology, O. M. Beketova National University of Urban Economy in Kharkiv
17, Marshala Bazhanova St., Kharkiv, 61002;
E-mail: o_tele_o@ukr.net
ORCID: https://orcid.org/0000-0002-2953-7368

Heading: The city in Ukrainian linguoculture: the echo of generations
Language: Ukrainian

Abstract
In the articleit has been discovered the notable manifestations the name Kharkiv on the material of Ukrainian poetry of the twentieth century. The expediency of such an analysis confirms the fact that the named onym has been overlooked in scientific research on literary onomastics. The author concludes that the proper name Kharkiv in the works of Ukrainian poetry is represented not only as a purely onomastic unit that performs certain pragmatic functions (nominative, localization) but also as a carrier of deep meaning, the expression of which allows the disclosure of its figurative and metaphorical potentials: compounds and oppositional pairs which allows a sharper characterization of the phenomenon described in the poetic work; metonymic units, serves as an indicator of relevant intertextual connections and a marker of certain historical, significant cultural or political events, establishing the semantic relationship between the poetic text and the background knowledge of the reader. It has been found out that Kharkiv is an organic structural component that actualizes certain information and becomes a significant expression of the author’s semantic intentions in analyzed poetic works.

Key words: poetic text, pragmatic function, figurative-metaphorical potentials, proper name, onym, structural component, author’s intention.

REFERENCES
Belei, L. O. (1996). Ukrainian literary and artistic anthroponymy of the XVIII-XX centuries: dys. d-ra filol. nauk. Uzhhorod (in Ukr.).
Boka, O. V. (2005). The status of spoken names in artistic discourse. Bulletin of Sumy State University. Philological Sciences Series. № 5, 48–54 (in Ukr.).
Ilchenko, I. (2011). Onymi as a manifestation of Todos Osmachka’s idiosyncrasy. Modern problems of linguistics and literary criticism. Vyp. 15, 337–340 (in Ukr.).
Karpenko, Yu. O. (2008). Proper names in fiction. Literary onomastics: a collection of articles. Odesa: Astroprynt, 9–11 (in Ukr.).
Masenko, L. T. (2006). Proper names (onyms). Encyclopedia of modern Ukraine. Kyiv. URL: http://esu.com.ua/search_articles.php=35126 (дата звернення: 23.05.2021) (in Ukr.).
Melnyk, H. I. (2008). Reflections on the theoretical foundations of literary onomastics. Opera in onomastica. Vyp. 11, 20–28 (in Ukr.).
Moroz, O. A. (2015). Onyms in the artistic discourse of Max Kidruk (based on the novel “Fortress”). Bulletin of Donetsk National University. Series B “Humanities”. № 1–2, 167–172 (in Ukr.).
Panchuk, H. (2014). Proper names in the poetry of Oksana Pakhlovskaya. Scientific notes of Ternopil National Pedagogical University named after Volodymyr Hnatyuk. Linguistics Series. Vyp. 1 (23), 138–141 (in Ukr.).
Seliverstova, L. I. (2003). Onomasticon in the poetic idiolect of Yar Slavutych: author’s ref. dis. … cand. philol. Science. Kyiv (in Ukr.).
Domaciuk-Czarny I. (2018). Nazwy własne w kronikach Jakuba Wędrowycza Andrzeja Pilipiuka. Roczniki humanistyczne. Tom LXVI, zeszyt 6. S. 29–42. (in  Pol.).
Gibka M. Literary Onomastics: a Theory. Łódź: ArchaeGraph. Wydawnictwo Naukowe, 2019 (in Pol.).
Nicolaisen W. F. On names in literature. Nomina 31. 2008. Р. 89–98 (in Eng.).
Toth L. Theory and methodology in literary onomastics. Proper names in István Szilágyi’s novels (in particular in Hollóidő /Time of ravens): theses of doc. (PhD) dis. Piliscsaba, 2014 (in Hung.).