ART NARRATIVE OF THE AHATANHEL KRYMSKYI AS A PHILOLOGIST

Svitlana YERMOLENKO,
academician of the NAS of Ukraine, Professor, Dr. Sci. (Philol.), Head of the Department of Stylistics, Culture
of the Language and Sociolinguistics, Institute of the Ukrainian Language of National Academy of Sciences of
Ukraine;
4 Hrushevskyi St., Kyiv 01001, Ukraine;
e-mail: svitlana.yermolenko@gmail.com
ORCID: https://orcid.org/0000-0002- 9916-4915

Heading: THE WORD IN THE WORKS OF THE AHATANHEL KRYMSKYI
Language: Ukrainian

Abstract
The article offers a linguosophical approach to the artistic linguistics of A. Krymskyi, historian-orientalist, writer (prose writer and poet), polyglot, philologist, translator. More than a hundred years have passed since A. Krymskyi wrote the novel “Andriy Lahovskyi”, and the author’s artistic narrative is of interest not only to historians of Ukrainian literature, but also to culturologists, psychologists, and language historians. The analysis of the artistic narrative of the Krymskyi as philologist is carried out in the following aspects: linguistic and structural characteristics of the text (vocabulary, phraseology, syntax) in comparison with the literary norm of modern Ukrainian, pragmalinguistic modeling of markers of the society represented by linguistic portraits of characters. characters. The conclusion about the interaction of colloquial and book (foreign language borrowings) sources in the modern reception of the history of the Ukrainian literary language of the end of the XIX – the beginning of the XX century is made.
Numerous foreign words-terms, in particular in the field of psychiatry, are indicative of A. Krymskyi’s artistic narrative, especially when it comes to the state of the character’s psyche. foreign terminological vocabulary contrasts with the emotionally expressive content of colloquial structures, Ukrainian phraseology and interspersed foreign language mintexts. Text markers of social stratification of society include psycholinguistic evaluative statements of the author about the situational behavior of the characters.
A. Krymskyi’s artistic narrative reveals signs of the author’s philological thinking, his constant attention to the explanation of the meanings of words, to the translation of foreign names. A significant number of lexical, word-forming, grammatical variants of the Ukrainian language are recorded in the individual style of the writer. Comparing them with lexicographic sources reveals the author’s preferences, time markers of the dynamic literary norm of the late nineteenth – early twentieth century.

Key words: vocabulary of social contrasts, temporal markers of the text, variability of literary norm, philological commentary, emotionally-expressive vocabulary, own and foreign (other) culture, linguosophical interpretation of historical and literary texts.

REFERENCES
Krymskyi A. Yu. (1972). Works: in 5 volumes Vol. 2. Fiction. Literary Studies and Criticism. Kyiv : Naukova Dumka (in Ukr.).

LEGEND
СГ – Grinchenko, B. (1958) (ed.). Dictionary of the Ukrainian language: in 4 volumes. Kyiv : Publishing House of the Academy of Sciences of the USSR (in Ukr.).
СУМ – Dictionary of the Ukrainian language : in 11 volumes (1970–1980). Kyiv : Naukova Dumka (in Ukr.).